It is said that one in every seven Americans has Brooklyn roots; this lively love song to Brooklyn’s 2.5 million people and...
An engaging and hip alphabetical trip through the largest and most populous of New York City’s five boroughs—Kings County—better known as Brooklyn.
The Canadian-born Alko embraces her adopted borough. She's a curious and avid collector of human experience and visual delights. The book is organized alphabetically but eccentrically. For example, "ornaments," "Ocean Parkway," "organic foods" and the "Old Stone House" (George Washington’s headquarters during the Battle of Brooklyn) all appear on the same letter “O” page. Despite these and other Brooklyn "insider" choices, readers will be attracted by the book’s kid-centric style and hold on for the Cyclonelike roller-coaster ride ("C"—"Coney Island") because of the book’s celebratory look and feel. Kaleidoscopic mixed-media pages (gouache and collage) are chockablock with vibrant images that fairly burst from the pages. A pleasantly informative author’s note and a rudimentary map attempt to orient and situate the reader. Though families who seek a simple and straightforward “A is for apple”–style alphabet book will be disappointed, the more venturesome will want to pay a visit to Brooklyn and return to sample the book's (and borough's) vitality over and over again.
It is said that one in every seven Americans has Brooklyn roots; this lively love song to Brooklyn’s 2.5 million people and nearly 82 square miles is a welcome celebration of its rich ethnic, culinary, racial and religious diversity. (Picture book. 3-7)Pub Date: Aug. 21, 2012
ISBN: 978-0-8050-9213-4
Page Count: 40
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: June 12, 2012
Kirkus Reviews Issue: July 1, 2012
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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