by Serena Valentino ‧ RELEASE DATE: Sept. 6, 2022
A sweet retelling of a spooky classic.
There are more charms than terrors in this reimagining of a supernatural tale.
Valentino’s eye for lavish detail focuses on Kat Van Tassel, an 18-year-old at Ichabod Crane High, named after Sleepy Hollow’s most infamous figure. Trapped in a life that feels all too planned out and a skeptic surrounded by those who believe in ghosts, Kat chafes at the way she’s fated to marry childhood sweetheart Blake, help run the family estate, and fulfill townspeople’s expectations. Kat has other aspirations, and her modern-day story mirrors the past she uncovers while reading Katrina Van Tassel’s diary entries, which are presented in chapters interspersed with the contemporary timeline. Katrina is a distant relative whose life was the source for many of the town’s myths and rituals. Blake attempts a spell with his friends, pushing Kat to participate against her wishes. Increasingly frustrated with him, Kat becomes fast friends with Isadora Crow, a mysterious, dark-haired classmate whom Blake dislikes. As Isadora and Kat explore Katrina’s diary, they begin to have feelings that are stronger than friendship. The young women’s curiosity about the diary grows—alongside their romance, which becomes more than a crush. Mild chills and dual timelines drive the plot; the latter at times are too neatly mirrored. Horror readers hungry for a retelling will find few scares, but the same-sex relationship breathes some new life into the legend. Most characters default to White.
A sweet retelling of a spooky classic. (Paranormal romance. 12-18)Pub Date: Sept. 6, 2022
ISBN: 978-1-368-05461-4
Page Count: 304
Publisher: Disney-Hyperion
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
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by Serena Valentino ; illustrated by Fiona Marchbank
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by Serena Valentino ; illustrated by Arielle Jovellanos
by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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SEEN & HEARD
by Kerri Maniscalco ‧ RELEASE DATE: Sept. 20, 2016
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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