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NO ONE WEEPS FOR ME NOW

A playful crime yarn that lands like Raymond Chandler reimagined by Almodóvar.

Has the missing stepdaughter of a wealthy businessman been kidnapped, or has she fled a perilous home life?

The middle volume of the author’s Managua Trilogy, following The Sky Weeps for Me (2020), introduces famous Nicaraguan detective Dolores Morales via his Wikipedia page. Though he works now as a private investigator, Morales still carries the honorific title Inspector, as everyone addresses him. His longtime sidekick, Bert “Lord” Dixon, tartly advises Morales in italics even though he happens to be dead. Lord Dixon also visits other members of Morales’ ragtag team, just to provide pithy commentary. Morales is hired by wealthy, shady Miguel Soto Colmenares to find his missing stepdaughter, Marcela. Kidnapping is suspected, but there’s been no ransom demand, and Soto is leery of calling police because of the attendant publicity. Ramírez’s shaggy plot frequently wanders down colorful bypaths and takes readers hooked by his MacGuffin through a fun house of Nicaraguan locations and people. Foremost among these are the skeletal Rev. Úrsula, who, along with sidekicks Rambo, Magic Johnson, et al., runs the Tabernacle, a sanctuary she inherited along with her title from Rev. Joshua, her late husband; and Marcela’s friend Frank, fired by Soto after oversharing with Morales. Ramírez habitually tags minor characters with handles from pop culture, like SpongeBob and Justin Bieber. What makes his novel a page-turner is not its plot twists but the delightfully unique individuals Morales encounters in his probe.

A playful crime yarn that lands like Raymond Chandler reimagined by Almodóvar.

Pub Date: Nov. 3, 2022

ISBN: 978-1-62054-050-3

Page Count: 288

Publisher: McPherson & Company

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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