by Seth Fishman ‧ RELEASE DATE: March 3, 2015
Those who started with the first should be satisfied with this conclusion.
The sequel to The Well’s End (2014) takes the action into a mysterious underground city.
Mia and her friends seek the miraculous water that cures all ills, hoping to stop the rapidly spreading virus that radically—and fatally—accelerates aging. Mia’s found the elusive well hidden deep in a cave where her father and mad-scientist Sutton had been conducting research. Now she dives into the well, followed by her friends Jo and Rob. They emerge in a marvelous underground city called Capian, where Keeper Randt, one of its three leaders, admits Mia’s father is being held hostage. Randt treats the trio well, however, and they meet his daughter, who longs to go Topside and immediately agrees to help them. However, the city is reeling from the death of one of its leaders, and civil war looms. Can Mia rescue her father and find the mysterious source of the water, then escape back to the surface? Fishman sets most of the action in Capian but doesn’t forget that Jimmy and Odessa are still on the surface, trying to escape Sutton’s minions and find a way to help the infected. This concluding adventure de-emphasizes the mad-scientist plotline in favor of the newly imagined underground world, opening the adventure up some. Standard-issue present-tense narration is unsubtle but gets the job done.
Those who started with the first should be satisfied with this conclusion. (Fantasy. 12-18)Pub Date: March 3, 2015
ISBN: 978-0-399-15991-6
Page Count: 288
Publisher: Putnam
Review Posted Online: Jan. 9, 2015
Kirkus Reviews Issue: Jan. 15, 2015
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by Allison Saft ‧ RELEASE DATE: Feb. 4, 2025
A magical story with a classic Disney feel exploring love, friendship, and leading amid hardship.
Shortly before the new queen’s coronation, a monster wreaks havoc, forcing a young fairy princess to intervene at her own risk.
In Pixie Hollow, the Never Fairies of Spring, Summer, and Autumn work to create seasons for the humans on the Mainland, while the fairies of Winter remain apart in the Winter Woods. Clarion, a governing-talent fairy who’s soon to take over as queen of Pixie Hollow, often looks wonderingly at the Winter Woods. But crossing the border is against the rules set forth by her mentor, Queen Elvina. When a monster from Winter breaks free and enters Spring, Clarion bristles at Elvina’s dismissal. Determined to be involved, she secretly travels to Winter, meets with Milori, the Warden of the Winter Woods, and learns that the land is nothing like what she’s heard, making her wonder what else the queen has been untruthful about. Together Milori and Clarion work to discover the secrets of Pixie Hollow, which may save them—or lead to death. Set in a magical place of flowers and pixie dust, this story considers the control we have over the roles we’re assigned. Clarion is a beautifully complex character—strong yet insecure, lovable due to her willingness to prioritize relationships over rules. Themes of fear, forbidden love, and good vs. evil are present in this fast-paced, engaging tale. Main characters are cued white.
A magical story with a classic Disney feel exploring love, friendship, and leading amid hardship. (Fantasy. 12-18)Pub Date: Feb. 4, 2025
ISBN: 9781368098458
Page Count: 400
Publisher: Disney Press
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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