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REPORTER

A MEMOIR

Rarely has a journalist’s memoir come together so well, with admirable measures of self-deprecation, transparent pride,...

One of the most skilled investigative journalists in American history shares his saga in compelling detail.

Hersh (The Killing of Osama bin Laden, 2016, etc.), who has won seemingly every major literary award and is often portrayed as gruffly relentless, shows his charming side as he recounts his Chicago childhood with a small-businessman father, a quietly supportive mother, and three siblings—a twin brother and twin sisters. A quick learner with a restless curiosity, Hersh began and abandoned several career paths while attending college. He slipped into a low-paying, unglamorous journalism job in Chicago, departed and returned to that career path several times, and then needed to figure out what to do after completing “six months as a grunt in the U.S. Army,” which “was not a transformative experience.” The city boy became a rural journalist in South Dakota, where his reporting initiative led to a book about controversial chemical and biological weapons, freelance investigative exposés about massacres of Vietnamese civilians by American troops (reporting that led to his Pulitzer Prize in 1970), and, in 1972, a position at the New York Times as a reporter with the Washington bureau. Hersh takes readers behind the scenes as he exposes corrupt U.S. foreign policy, Defense Department bumbling in numerous wars, political coverups during Watergate, private sector corporate scandals, and torture tactics used by the U.S. government against alleged terrorists after 9/11. The author shares insightful (and sometimes searing) anecdotes about fellow journalists, presidents and their cronies, military generals, and numerous celebrities. Readers interested in a primer about investigative techniques will find Hersh a generous teacher. He explains why he tends to be a loner, zigging when other journalists are zagging. Hersh discloses little about his wife and children, but otherwise, candor is the driving force in this outstanding book.

Rarely has a journalist’s memoir come together so well, with admirable measures of self-deprecation, transparent pride, readable prose style, and honesty.

Pub Date: June 6, 2018

ISBN: 978-0-307-26395-7

Page Count: 352

Publisher: Knopf

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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