A misfire.
A heartsick teen does his best to set things right.
It’s the summer before their senior year, and Noah Greene is very much in love with Miranda Owens. The bookish and beautiful Miranda has always kept Noah on his toes, and he does his best to present himself as the ideal boyfriend. But honesty doesn’t come naturally to Noah, and one day this vice comes back to bite him: When Miranda overhears a conversation Noah has with the local flirt, she calls the whole thing off, leaving Noah to lick his wounds, do some soul searching, and craft the apology of a lifetime. Will Miranda forgive Noah? Will Noah be able to set things right in time for prom? Will readers notice that this John Green homage never really comes together? The fragmented timeline papers over most of the narrative gaps, but the lackluster characterization is always front and center. The two lovebirds are just never that interesting; there’s no crackle, snap, or pop to their relationship. The author tries to sidestep the simmering physical passion many teen romances underline in favor of Noah and Miranda’s having a more emotionally mature relationship, but it doesn’t quite work. Their extensive friend circle evades deep characterization as well: Readers will lose track of who’s speaking to whom and why as every teen speaks in the same pop-and-lock cadence Green popularized nearly two decades ago. Noah and Miranda are White.
A misfire. (Fiction. 14-18)Pub Date: Oct. 18, 2022
ISBN: 978-1-77086-655-3
Page Count: 240
Publisher: DCB
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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