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NEW STORIES FROM THE SOUTH

THE YEAR’S BEST, 2000

Hardly flawless, but, like its past numbers, a showcase of new talent that shores up some developing careers, and pays...

For the 15th anniversary of New Stories from the South, Ravenel stirs up a real gumbo of southern writing: authors of all ages—some first-timers, some long familiar to fans of this essential series.

Ravenel picks from magazines big (The New Yorker) and minuscule (Yemassee) but shows a noticeable bias for writers and writing from The Oxford American, the slick voice of the South that deserves a wider hearing. Ellen Douglas’s expendable preface (a patchwork of quotations) little prepares you for the variety and complexity demonstrated throughout. An homage to Flannery O’Connor (almost de rigueur for the series) is followed by the first published story of Thomas McNeely, a surefire talent who penetrates the sad and pathetic mind of a mentally disturbed killer. The same fierce imagination burns in newcomer D. Winston Brown, whose tale of street violence captures the generational discord among some southern blacks. Tim Gautreaux dishes out a somewhat formulaic tale of a blue-collar young man who can’t quite connect with a woman he picks up hitchhiking, a self-described “handicapped black lesbian” professor of women’s studies. Robert Olen Butler’s “Heavy Metal” seems equally predictable: a girl who grows up in a fundamentalist family begins to find her “own personal Jesus” in body piercing. The romantic stories play with class and gender: a young gay photographer, who thinks he channels electricity, falls for a straight and not-very-good-looking older colleague (“Mr. Puniverse”); a sexy young girl works at her father’s cardboard plant, and seduces a worker as part of her adventure in slumming (“Good-Hearted Woman”); and in Romulus Linney’s Appalachian folk tale, a young woman (“The Widow”) finds her new mate with some clever conjuring. One particularly amateurish piece—a bit of self-consciousness about an MFA program—seems hopelessly out of place here, and has no apparent southern connection.

Hardly flawless, but, like its past numbers, a showcase of new talent that shores up some developing careers, and pays homage to the wonder that is southern fiction.

Pub Date: Sept. 8, 2000

ISBN: 1-56512-295-X

Page Count: 320

Publisher: Algonquin

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 1, 2000

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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