Miller’s lighthearted touch effectively delivers a serious, necessary message about respecting boundaries.
Miller tells it like it is while giving children of color permission to set boundaries when people reach out to touch their curly, kinky, or nappy hair.
Aria, a brown-skinned protagonist, opens this picture book by introducing herself with a double-page, gutter-spanning image of her smiling face and her full head of hair that takes up three-quarters of the spread: “I’m Aria, and this is my hair.” Aria loves her hair, but others do too—so much so that they want to touch it even without permission. Aria decidedly does not like this. To demonstrate how she avoids touching hands, she appears eight times on one page—in full aerial split, karate-style airborne kick, curled into a fetal position, tentative headstand, and more—hemmed in almost all the way around by groping, outstretched hands. Even when she attempts to escape underwater, an octopus and a mermaid chase her, tentacles and arms extended. Wherever she travels, she can’t get away from this threat…until she learns a strategy that works. Miller’s variegated watercolor, pencil, and ink illustrations effectively portray Aria’s verve as well as her frustrations. The cover image and several others depict disembodied hands and arms in many skin tones reaching for Aria’s hair, suggesting that this intrusive behavior can come from anyone.
Miller’s lighthearted touch effectively delivers a serious, necessary message about respecting boundaries. (Picture book. 3-8)Pub Date: Nov. 6, 2018
ISBN: 978-0-316-56258-4
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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