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MILDRED AND SAM

A persnickety house-mouse frets about the size of her burrow in this colorful beginning reader. Mildred and Sam inhabit a snug burrow that is just right for two tiny mice. When Mildred worries about the lack of room for guests, the two try out a sampling of habitats. The ever-practical Sam, who points out the inherent vulnerabilities of such abodes, quickly grounds Mildred’s flights of fancy regarding residing in the branches of a towering oak, floating on an oversized lily pad, and nestling in a rose thicket. Rather than move out, the pair decide to expand, adding deeper levels to their burrow. Mildred’s fantastical dreams persist, now involving the appearance of animated baby gourds that spring up from her garden and take over her little house. In the final chapter, Mildred embarks upon a frenzied fit of decorating. Collicott (Toestomper and the Caterpillars, 1999, etc.) slyly reveals the reason for Mildred’s fractiousness at tale’s end, with the arrival of her octuplets. The full-color illustrations are an engaging composite of bright colors and whimsical drawings that lend an immense visual appeal to the tale. While the length of the chapters and complexity of language is better suited for more assured readers, the fanciful themes and vibrant illustrations make this an enjoyable romp to share as a read aloud. (Easy reader. 5-8)

Pub Date: Jan. 1, 2003

ISBN: 0-06-026681-3

Page Count: 48

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2002

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DIARY OF A SPIDER

The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)

Pub Date: Aug. 1, 2005

ISBN: 0-06-000153-4

Page Count: 40

Publisher: Joanna Cotler/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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HENRY AND MUDGE AND THE STARRY NIGHT

From the Henry and Mudge series

Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)

Pub Date: April 1, 1998

ISBN: 0-689-81175-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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