Unexceptional despite the addenda and likely to be overshadowed.
Heartlessness leads to leaflessness for trees that refuse to shelter an injured sparrow for the winter.
Of (possibly, according to the source note) Cherokee origin, the tale opens with Papa Sparrow, one wing injured, sending his family south and then seeking shelter from, respectively, Maple, Oak, and Willow. All three rudely reject him, but Pine, Spruce, and Juniper are more welcoming. That night, at the behest of irritated King Forest, Winter Wind denudes the uncharitable trio—who have continued to lose their leaves in wintertime ever since. Chriscoe’s retelling flows on a gentle rhythm fueled by recurring phrases, but some passages have an artificial ring: “And how do I know you won’t damage my lovely, gorgeous leaves?” Willow complains. “You may not stay for the winter in my gentle, hanging foliage.” Moreover, though the sparrow and closer views of leaves and twigs are realistically drawn, the personified trees in Detwiler’s illustrations sport cartoonish Green Man–style faces with exaggerated grimaces or grins. Pages of nature facts and study questions follow the tale. Alexis York Lumbard’s Pine and the Winter Sparrow, illustrated by Beatriz Vidal (2015), presents a better written and more appealingly illustrated version of the same story.
Unexceptional despite the addenda and likely to be overshadowed. (bibliography) (Picture book/folk tale. 6-8)Pub Date: Sept. 10, 2015
ISBN: 978-1-62855-633-9
Page Count: 32
Publisher: Arbordale Publishing
Review Posted Online: June 22, 2015
Kirkus Reviews Issue: July 15, 2015
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated...
The master of the manic patterned tale offers a newly buffed version of his first published book, with appropriately gloppy new illustrations.
Like the previous four iterations (orig. 1979; revised 2004, 2006, 2009), the plot remains intact through minor changes in wording: Each time young Jule Ann ventures outside in clean clothes, a nefarious mud puddle leaps out of a tree or off the roof to get her “completely all over muddy” and necessitate a vigorous parental scrubbing. Petricic gives the amorphous mud monster a particularly tarry look and texture in his scribbly, high-energy cartoon scenes. It's a formidable opponent, but the two bars of smelly soap that the resourceful child at last chucks at her attacker splatter it over the page and send it sputtering into permanent retreat.
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated sound effects. (Picture book. 6-8)Pub Date: Sept. 1, 2012
ISBN: 978-1-55451-427-4
Page Count: 32
Publisher: Annick Press
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There are many parallel legends – the seal women, for example, with their strange sad longings – but none is more direct than this American Indian story of a girl who is carried away in a horses’ stampede…to ride thenceforth by the side of a beautiful stallion who leads the wild horses. The girl had always loved horses, and seemed to understand them “in a special way”; a year after her disappearance her people find her riding beside the stallion, calf in tow, and take her home despite his strong resistance. But she is unhappy and returns to the stallion; after that, a beautiful mare is seen riding always beside him. Goble tells the story soberly, allowing it to settle, to find its own level. The illustrations are in the familiar striking Goble style, but softened out here and there with masses of flowers and foliage – suitable perhaps for the switch in subject matter from war to love, but we miss the spanking clean design of Custer’s Last Battle and The Fetterman Fight. 6-7
Pub Date: Aug. 1, 1978
ISBN: 0689845049
Page Count: -
Publisher: Bradbury
Review Posted Online: April 26, 2012
Kirkus Reviews Issue: Sept. 1, 1978
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