by Sharon G. Flake ‧ RELEASE DATE: April 1, 2025
A thought-provoking portrayal of growing up and defining yourself as a young man.
A Black teen perseveres in his search for love and acceptance despite insecurities and a strained paternal relationship.
John “John-John” McIntyre is looking forward to attending junior prom with Ashley, the cute girl from his book club, and to a chill summer practicing archery, playing video games, and hanging with friends. But things aren’t going his way. His relationship with Ashley is off to a slow start. His best friend, Caleb, is busy working at his lawn-mowing business, helping to support his family while his dad recovers from an aneurysm. And John-John’s dad seems determined to remind him of how he’s failed to live up to expectations. John-John just wants to figure out who he should be. But to do so he must face his anger and hurt towards his dad, grapple with his feelings of inadequacy about being short and dark-skinned, and reckon with societal messages around masculinity. This companion novel to The Skin I’m In (1998) and The Life I’m In (2021) reunites fans with beloved characters, including Maleeka, Charlese, and Miss Saunders. Readers will find much to appreciate about John-John’s meandering journey, which doesn’t spell out lessons but trusts them to reflect independently. John-John’s central relationships are well developed and poignantly described, and Flake renders his growing pains on the road to maturity in an authentic and accessible voice that will make readers root for him.
A thought-provoking portrayal of growing up and defining yourself as a young man. (Fiction. 14-18)Pub Date: April 1, 2025
ISBN: 9781338573206
Page Count: 288
Publisher: Scholastic
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
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by Sharon G. Flake ; illustrated by Anna Raff
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by Adam Silvera ‧ RELEASE DATE: May 6, 2025
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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