Tan’s singular imagination invokes appreciation for the imprint that lingers from someone special, even after separation.
Ever sensitive to the outsider, Tan examines a diminutive foreign exchange student’s visit through the consternation of his hosts.
With a thin, triangular body, spindly appendages, and a head reminiscent of a maple leaf, Eric exudes vulnerability when strapped into a car with a seat belt or peering into an elephant’s cage. His dark-gray form contrasts with the lighter settings in the square panels—one or more to a page—rendered in graphite. The narrator and Mum are not depicted. This story originally appeared in Tan’s Tales From Outer Suburbia (2009). The few changes relate to picture-book pacing: Longer sentences are split to accompany single images; new art and visual tweaks invite slow reflection. Curious and confounding, Eric draws a sink’s drain as a flower (paired with a question mark) and abandons his bedroom for a teacup in the pantry. Such decisions are chalked up to “a cultural thing” by Mum, who only wants him to be happy. When Eric departs, the narrator is bewildered, but readers are then invited to view the pantry for what is “still there after all these years, thriving in the darkness.” Colored pencils create a marvelous array of flowers arising from “small things” Eric had collected, a rainbow-hued thank-you note nestled inside the cup and a familiar shadow on the saucer.
Tan’s singular imagination invokes appreciation for the imprint that lingers from someone special, even after separation. (Picture book. 5-9)Pub Date: Oct. 20, 2020
ISBN: 978-1-338-62208-9
Page Count: 32
Publisher: Scholastic
Review Posted Online: Aug. 31, 2020
Kirkus Reviews Issue: Sept. 15, 2020
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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