by Shaun Walker ‧ RELEASE DATE: Jan. 2, 2018
Essential reading for Russia watchers.
A British journalist offers a searching account of contemporary Russia, a nation bent on recapturing a more glorious past.
People crave meaning and security in their lives. Both vanished for citizens of the Soviet Union when that storied country dissolved, replaced by a much weaker Russia and a ring of former satellites and conquered states. As Guardian Moscow correspondent Walker chronicles, much of the last quarter-century has been an exercise, among Russians from Vladimir Putin to ordinary citizens on the street, of recapturing past glories; says one anti-Ukrainian Russian nationalist, “we need to rebuild the country. The Soviet Union, the Russian Empire, it doesn’t matter what you call it.” the author documents the rise of Putin from middle-management KGB type to supreme ruler, abetted by a Boris Yeltsin who had abandoned the democratic experiment, ruing his former belief that “we would leap from the gray, stagnating totalitarian past into a bright, prosperous and civilized future.” Much of Walker’s solid reporting is from trouble spots that have been much in the news lately, including Crimea, where he looks at the fate of Crimean Tatars, who have essentially been stripped of citizenship on Russia’s reclamation of contested territory, and eastern Ukraine, where Russian rebels shot down a Malaysian Airlines flight, thinking it an aircraft of the Ukrainian air force—an event that Putin’s government hotly denied. “The downing of MH17 and the subsequent brazen lying was probably the Kremlin’s lowest point in all my years covering Russia,” writes Walker. Using techniques from the old Soviet propaganda machine, the Putin regime has successfully branded the enemies along its borders as Nazis, evoking memories that only the oldest Russians have while also recapturing some of the old sense of exceptionalist nationhood, “using fear of political unrest to quash opposition, equating ‘patriotism’ with support for Putin, and using a simplified narrative of the Second World War to imply Russia must unite once again against a foreign threat.”
Essential reading for Russia watchers.Pub Date: Jan. 2, 2018
ISBN: 978-0-19-065924-0
Page Count: 288
Publisher: Oxford Univ.
Review Posted Online: Oct. 16, 2017
Kirkus Reviews Issue: Nov. 1, 2017
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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