by Sheetal Sheth ; illustrated by Lucia Soto ‧ RELEASE DATE: July 9, 2024
A stilted attempt to put a twist on a time-honored tradition, elevated by charming visuals.
A South Asian girl named Raashi and her little brother, Tejas, eagerly await the Hindu festival of Raksha Bandhan.
On this day, sisters tie bracelets called rakhis to their brothers’ and male cousins’ wrists. At breakfast, Raashi wonders why only girls tie rakhis on boys. Her mother tells her that traditionally “sisters tied rakhis on their brothers as a symbol to protect them as they went into the world. Back then, they didn’t think girls should be doing as much as boys.” Raashi doesn’t think this is fair, since she has plenty of aspirations herself, and she tells Tejas, “You should look out for me, too!” Later, at the festival, when Tejas gets stuck in a tree, Raashi comes to his rescue. A grateful Tejas wants to tie a rakhi to Raashi’s wrist, to protect her as she protected him. They decide to start a new tradition in which boys and girls can give their siblings and cousins rakhis. Though the premise—putting a gender-inclusive spin on a beloved custom—will appeal to many, the writing is often stiff and may leave readers with the misleading impression that rakhis are meant to protect boys as they venture out into the world. In fact, the bracelets traditionally symbolize boys’ willingness to safeguard their female relatives. Still, the vivid illustrations fairly explode with color and detail, creating a fun backdrop; characters are depicted with a variety of brown skin tones.
A stilted attempt to put a twist on a time-honored tradition, elevated by charming visuals. (Picture book. 4-8)Pub Date: July 9, 2024
ISBN: 9780593707265
Page Count: 40
Publisher: Random House
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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