edited by Sheila Fitzpatrick & Yuri Slezkine & translated by Yuri Slezkine ‧ RELEASE DATE: June 1, 2000
Each autobiography here transforms the story of a private life into the story of the country and the times: a volume sure to...
A collection of life stories of Russian women, accompanied by an analytical introduction and edited by scholars Fitzpatrick (History/Univ. of Chicago) and Slezkine (History/Univ. of California), from the perspective of direct participants in the unfolding historical drama begun in 1917.
Contributing to the completeness of the picture, the documents selected for this publication vary in genre from literary autobiographies to edited interviews to formal letters and speeches, and their authors are just as diverse in social class, experience, age, and occupation. The objectivity of the narrative is bolstered because events are assessed from opposite points of view (from that of both the victims and the beneficiaries of the Revolution). These antagonistic positions merge in camp memoirs written by those who were at first strong supporters of the Bolshevik cause, but later fell from grace. One principle unifying almost all the narratives is the suppression of personal information. Instead of the traditional focus on marriage, childbirth, and family life, these women defined themselves in terms of historical and public events. The Revolution, civil war, collectivization, and industrialization were the major milestones of their lives. These personal accounts differ significantly in length and style. From Lenin’s wife Nadezhda Krupskaia, for instance, we have a brief, dry, and extremely factual third-person account of her political activities. Princess Sofia Volkonskaia, on the other hand, produced a highly emotional story of her return to Russia from emigration in order to rescue her husband from jail. But even here, private circumstances are viewed against the broader background of disarray and brutality that reigned in post-revolutionary Russia. Yet another patriotic and upbeat narrative filled with praise of Stalin can be found in the autobiography of the Soviet Union’s most decorated labor hero, tractor driver and Supreme Soviet Deputy Pasha Angelina.
Each autobiography here transforms the story of a private life into the story of the country and the times: a volume sure to attract early Soviet history buffs.Pub Date: June 1, 2000
ISBN: 0-691-01949-5
Page Count: 436
Publisher: Princeton Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2000
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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