A stirring tale and proof positive that young people can help make history, too.
The March on Washington for Jobs and Freedom, seen through the eyes of a young Black girl.
Along with her parents, young Agnes travels by bus from Birmingham, Alabama, to Washington, D.C., proud to be taking part in this momentous occasion in the summer of 1963. Munching on a homemade sandwich, Agnes dreams of prominent figures of the Civil Rights Movement such as Sidney Poitier, Lena Horne, and Jackie Robinson. (Backmatter offers a spotlight on some of the famous people who were part of the March.) Once in D.C., a detour to the historic home of Frederick Douglass places a lot of what’s happening in helpful perspective. The family reads a famous quote by Douglass: “I would unite with anybody to do right and with nobody to do wrong.” Agnes is pleasantly surprised to see people from all walks of life using the same water fountains (there are no “whites only” signs in sight), marching shoulder to shoulder, sharing a poignant moment in the reflection pond, and uniting for what’s right. Sitting on Daddy’s shoulders, Agnes takes in monumental words from John Lewis and Josephine Baker, a moving performance from Mahalia Jackson, and, ultimately, Dr. Martin Luther King Jr.’s “I Have a Dream” speech. Moses’ text is tinged with childlike excitement and wonder. Mallett’s digital illustrations glow with warmth, with Agnes’ braids and yellow bows framing her joyful face as she listens to the speakers with pride.
A stirring tale and proof positive that young people can help make history, too. (author’s note) (Picture book. 6–9)Pub Date: Jan. 7, 2025
ISBN: 9780593617298
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
Rappaport makes this long struggle palpable and relevant, while Faulkner adds a winning mix of gravitas and high spirits.
Rappaport examines the salient successes and raw setbacks along the 144-year-long road between the nation’s birth and women’s suffrage.
This lively yet forthright narrative pivots on a reality that should startle modern kids: women’s right to vote was only achieved in 1920, 72 years after Elizabeth Cady Stanton organized the first Women’s Rights Convention in Seneca Falls, New York. Indeed, time’s passage figures as a textual motif, connecting across decades such determined women as Stanton, Sojourner Truth, Susan B. Anthony, and Lucy Stone. They spoke tirelessly, marched, organized, and got arrested. Rappaport includes events such as 1913’s Women’s Suffrage Parade in Washington, D.C., but doesn’t shy from divisive periods like the Civil War. Faulkner’s meticulously researched gouache-and-ink illustrations often infuse scenes with humor by playing with size and perspective. As Stanton and Lucretia Mott sail into London in 1840 for the World Anti-Slavery Conference, Faulkner depicts the two women as giants on the ship’s upper deck. On the opposite page, as they learn they’ll be barred as delegates, they’re painted in miniature, dwarfed yet unflappable beneath a gallery full of disapproving men. A final double-page spread mingles such modern stars as Shirley Chisholm and Sonia Sotomayor amid the historical leaders.
Rappaport makes this long struggle palpable and relevant, while Faulkner adds a winning mix of gravitas and high spirits. (biographical thumbnails, chronology, sources, websites, further reading, author’s note) (Picture book/biography. 6-8)Pub Date: Feb. 23, 2016
ISBN: 978-0-7868-5142-3
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: Nov. 2, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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