by Shelley Gill ; illustrated by Erik Brooks ‧ RELEASE DATE: Feb. 21, 2017
The book’s heart is in the right place, but its execution serves neither subject nor audience even adequately.
Rhyming text introduces youngsters to a smattering of whales.
Unfortunately, it’s not particularly good rhyme, nor are the whales introduced with enough context to make the information meaningful to a toddler audience. “I might be a gray whale with barnacles on my chin / Or a sleek, slender fin whale. Think how fast I’d swim.” To these bloodless rhymes are paired equally anemic watercolor illustrations. The nature of whale coloration and their marine habitat combine for spreads that are dominated by grays and pale blues, the lack of contrast making for a singularly uncompelling visual experience. Weeds and other sea life add some mild pops of color, but they are so watery they don’t make much of an impression. In addition to the aforementioned gray and fin whales, Gill packs an impressive number of whale species in: minke, beluga, pilot, blue, beaked, orca, humpback, and—“Narwhals have tusks. Tusks might come in handy. / Right whales sail with their tails. Wouldn’t that be dandy?” Ouch.
The book’s heart is in the right place, but its execution serves neither subject nor audience even adequately. (Board book. 1-3)Pub Date: Feb. 21, 2017
ISBN: 978-1-63217-104-7
Page Count: 20
Publisher: Little Bigfoot/Sasquatch
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: July 1, 2017
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by Rose Rossner ; illustrated by AndoTwin ‧ RELEASE DATE: Dec. 1, 2020
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday.
Animal parents declare their love for their offspring in alphabetical order.
Each page displays an enormous capital letter, one line of verse with the keyword capitalized, and a loving nonhuman parent gazing adoringly at their baby. “A is for Always. I always love you more. / B is for Butterfly kisses. It’s you that I adore.” While not named or labelled as such, the A is also for an alligator and its hatchling and B is for a butterfly and a butterfly child (not a caterpillar—biology is not the aim of this title) interacting in some way with the said letter. For E there are an elephant and a calf; U features a unicorn and foal; and X, keyed to the last letter of the animal’s name, corresponds to a fox and three pups. The final double-page spread shows all the featured creatures and their babies as the last line declares: “Baby, I love you from A to Z!” The verse is standard fare and appropriately sentimental. The art is cartoony-cute and populated by suitably loving critters on solid backgrounds. Hearts accent each scene, but the theme of the project is never in any doubt.
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday. (Board book. 1-3)Pub Date: Dec. 1, 2020
ISBN: 978-1-7282-2095-6
Page Count: 28
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
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by Rose Rossner ; illustrated by Morgan Huff
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by Rose Rossner & Brooke Backsen ; illustrated by AndoTwin
by Jeffrey Burton ; illustrated by Sanja Rešček ‧ RELEASE DATE: Jan. 5, 2016
Leave the hopping to Peter Cottontail and sing the original song instead.
An Easter-themed board-book parody of the traditional nursery rhyme.
Unfortunately, this effort is just as sugary and uninspired as The Itsy Bitsy Snowman, offered by the same pair in 2015. A cheerful white bunny hops through a pastel world to distribute candy and treats for Easter but spills his baskets. A hedgehog, fox, mouse, and various birds come to the bunny’s rescue, retrieving the candy, helping to devise a distribution plan, and hiding the eggs. Then magically, they all fly off in a hot air balloon as the little animals in the village emerge to find the treats. Without any apparent purpose, the type changes color to highlight some words. For very young children every word is new, so highlighting “tiny tail” or “friends” makes no sense. Although the text is meant to be sung, the words don't quite fit the rhythm of the original song. Moreover, there are not clear motions to accompany the text; without the fingerplay movements, this book has none of the satisfying verve of the traditional version.
Leave the hopping to Peter Cottontail and sing the original song instead. (Board book. 1-3)Pub Date: Jan. 5, 2016
ISBN: 978-1-4814-5621-0
Page Count: 16
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: July 1, 2016
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