Not as simpatico as Frog and Toad nor as clever as Amelia Bedelia but useful for skill development.
Social and science lessons disguised in an early reader.
In this series opener, Tessy, a self-absorbed girl, meets a chameleon named Newton. She wants to be friends, but only on her terms. Newton is not so sure—especially when Tessy expects him to act like a kid. The conflicts continue through five chapters. “Jars are not [his] thing”; “picnics are not [his] thing,” either. But “rock sitting” and changing colors are not her things. Sometimes the problem is language; sometimes the problem is because they are different species. Eventually, they find something they can enjoy together: watching the sun set and the moon rise. The second book in the series, The Kid and the Chameleon Sleepover (published simultaneously), gives readers six further chapters about the conflicting views of these improbable friends. Kids who can get past the heavy-handed message about respecting differences will benefit from the practice reading short sentences (often of just one or two words) with predictable parallel structures and simple repetitive vocabulary. Five to 10 lines of text per page are set in a large, well-leaded serif typeface against mostly white backgrounds dotted with full-color illustrations. A final page of “Chameleon Facts” explains the science alluded to in the story. Tessy has beige skin and fluffy, brown hair.
Not as simpatico as Frog and Toad nor as clever as Amelia Bedelia but useful for skill development. (Early reader. 5-8)Pub Date: April 1, 2019
ISBN: 978-0-8075-4179-1
Page Count: 48
Publisher: Whitman
Review Posted Online: Feb. 12, 2019
Kirkus Reviews Issue: March 1, 2019
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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