by Sheri Sinykin & illustrated by Kristina Swarner ‧ RELEASE DATE: Oct. 1, 2012
Though Rachel's quest takes place within a Jewish context, her emotions and situation are near universal, and this artful...
Though many parents tend to shield their young children from the realities of terminal illness, this picture book looks at death through the concerned and loving eyes of a child who begins to understand the concept behind the "circle of life."
When Zayde comes to live in Rachel’s house, it is “because he is dying.” Watching him sit and sleep day and night in a sleeper-chair with an oxygen tube, Rachel instinctively knows that he is close to death and begins to question where he will go after his last breath. Megan says he will go to heaven, and Hakim says he will go to Paradise, but Zayde's Jewish; is there a place for him? Through this question-and-answer text, listeners are told of the inevitability gently, with Zayde’s acceptance and feelings of “shalom,” peace and completeness, and the rabbi’s explanation of “Olam Ha-Ba,” the Jewish belief in the “World to Come.” Most importantly Rachel learns that memories carried in family stories will keep her grandfather alive in her heart. Sinykin does a commendable job of dispelling fear with empathy and tenderness through some very direct yet positive answers to a child’s uncertainty. Linoleum prints created with watercolors and colored pencils in muted tones reflect a spiritually calm and sometimes whimsical ambiance, matching the text’s gentle tone.
Though Rachel's quest takes place within a Jewish context, her emotions and situation are near universal, and this artful book handles both well. (Picture book. 5-10)Pub Date: Oct. 1, 2012
ISBN: 978-1-56145-631-4
Page Count: 32
Publisher: Peachtree
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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More by Sheri Sinykin
BOOK REVIEW
by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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More by Tamisha Anthony
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by JaNay Brown-Wood ; illustrated by Tamisha Anthony
BOOK REVIEW
by JaNay Brown-Wood ; illustrated by Olivia Amoah
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by JaNay Brown-Wood ; illustrated by John Joven
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