Oversized and 15, Lucy runs away from her bleak life to find herself faking adulthood in an adventure story which takes place in Alaska. After her mother’s abandonment, Lucy has felt obligated to become the caretaker for her alcoholic father. The distance between the two is enormous, notwithstanding Lucy’s frequently rescuing him from the cold storage room at his favorite bar. Lonely and ridiculed for her size at school, Lucy becomes attached to a stray dog only to learn that it is so ill that death is inevitable. Hurt and angry, she suddenly abandons her life in Sitka and finds herself transported to the Bering Sea, where the crab-fishing season is underway. Taken for an adult, she signs on as a crabber and discovers strength in herself and friendship, as well as earning respect and cash in the adult world. With a prologue that takes place ten feet below the surface of the Bering Sea, readers are always aware that ultimately events will become desperate. The overwhelming kindness of most strangers and the fortuitous play of events undermine the edge acquired by this device. Written in many terse sentences that might be intended to indicate homage to Hemingway (The Old Man and the Sea features in the narrative), Smith’s staccato style is occasionally effective, but often irritating. There is an abruptness in the action, an unrealistic scene where Lucy matches tequila shots with a fisherman, and the pacing falters. The narrative teeters between portraying the rugged life in the Arctic waters and the fragility of Lucy internal musings. The unusual setting and the issue of self-esteem as it relates to size are pluses in this otherwise middling first YA effort. (Fiction. YA)
Pub Date: Feb. 1, 2001
ISBN: 0-385-72940-5
Page Count: 217
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2001
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
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