A tender tale of love, sacrifice, and hope.
In this retelling of O. Henry’s “The Gift of the Magi,” a child searches for the perfect Eid present.
Yasmine is preoccupied as Mama shops for za’atar and sfeeha at Souq al-Hamidiyeh in Damascus. The marketplace’s arched ceiling reminds Yasmine of Baba, who used to pretend the openings were twinkling stars; he traced constellations while Mama shopped. But now that Baba’s no longer here, “they look like empty holes.” Yasmine muses on the perfect gift to make Mama smile again—and decides upon a heart-shaped jewelry box, just big enough for Mama to store her bracelet in. Unfortunately, Yasmine doesn’t have enough money, so the child sells a beloved gold chain. After prayers at the Masjid al-Umawi, Yasmine excitedly hands Mama the gift; Mama in turn gives Yasmine a heart-shaped locket. Just as Yasmine sold the chain to buy the jewelry box, Mama sold her bracelet to buy Yasmine’s present. They realize that their love for each other is the greatest gift of all. Incorporating the sights and sounds of a bustling Syrian market, this charming tale is rich in cultural details. Relying on repeated references to hearts, Safadi tells a story of loss, woven with the healing power of love. Jaleel’s arabesque illustrations showcase a lively marketplace that contrasts with the simplicity and tranquility of the mosque.
A tender tale of love, sacrifice, and hope. (author’s note) (Picture book. 4-8)Pub Date: Feb. 11, 2025
ISBN: 9780823455652
Page Count: 40
Publisher: Holiday House
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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