In a battle of Japanese settings, wondrous mountains win big over bustling cities.
A withdrawn boy from Yokohama, just out of high school, comes of age after his parents enroll him in a forestry training program in a remote mountain village.
Stripped of his cellphone, which his colorful supervisor happily tosses down the mountainside, and lost without other modern conveniences, 18-year-old Yuki Hirano initially feels trapped in his new setting. Hopeless at all things arborist, with the cuts and bruises—and bruised pride—to show for it, he desperately wants to go back home. But pulled in by the natural wonders of the environment, the easygoing nature and quirkiness of the closeknit villagers, and his attraction to a pretty, motorcycle-riding schoolteacher named Nao, he awakens to deep values he has never encountered in the big city. He develops into a skilled forester, the better to draw Nao away from the married lumber company owner with whom she is infatuated. The novel builds to the semicentennial Oyamazumi-san festival in which Yuki is part of a crew tasked with cutting down the largest tree at the top of Mount Kamusari and safely guiding it down to the river. The first book in a new series by the author of The Great Passage (2011) seems aimed at a young audience. Miura spends a lot of time lightly educating her readers on the pungent glories of the mountains, the do's and don'ts of tending to the forest and the environmental rewards of doing so: "Cutting down timber, using it, continually planting more—that's how we take care of the woodlands." Yuki's breathless first-person narration is straight out of Japanese anime (albeit with off-color language), as are scenes in which characters are "spirited away." But fans of all ages should enjoy the author's blend of the traditional and the contemporary.
In a battle of Japanese settings, wondrous mountains win big over bustling cities.Pub Date: Nov. 2, 2021
ISBN: 978-1-5420-2715-1
Page Count: 208
Publisher: Amazon Crossing
Review Posted Online: Sept. 14, 2021
Kirkus Reviews Issue: Oct. 1, 2021
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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