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THE CITY TREE

A soothing tale of a tree that helps transform a community.

Dani forms a bond with the sole tree that is planted in their urban neighborhood.

“In front of Dani’s building was a hole. Sometimes dusty, sometimes puddly. And sometimes wild with bits of green.” A double-page spread, mostly in muted pastels, shows a foliage-free urban setting of adjoined buildings. But soon a truck pulls up, and two people plant a tree in that hole. For brown-skinned Dani, the tree is a source of joy—when birds arrive, the child is woken by their beautiful songs instead of truck noises. The tree helps predict the weather, protects Dani from “noise and grime,” and even offers friendship as the protagonist confides in it. Quiet, lyrical text describes the ways that typical urban sights and sounds change with the arrival of the tree; this is a good introduction to the concept of greening city streets for the youngest children. The text pointedly makes this tree more “special” to Dani than the more “magnificent” trees in the park. Depicting small details of lives lived inside and outside the apartments, the vibrant illustrations invite lengthy examination. The ending double-page spreads are a delightful combination of metaphors and vivid art as each season the tree continues to make the neighborhood a joyful place to live. Tranquil and calming, this is an ideal bedtime read. (This book was reviewed digitally.)

A soothing tale of a tree that helps transform a community. (information on street trees, resources) (Picture book. 3-6)

Pub Date: April 4, 2023

ISBN: 9780358423416

Page Count: 40

Publisher: Clarion/HarperCollins

Review Posted Online: Dec. 23, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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