An entertaining, giggleworthy blend of gastronomic history and fiction.
Young Julius Caesar doesn’t want to eat his veggies.
A young Julius Caesar, squat, with a simple, round face, clad in a white toga and sporting a laurel, is interrupted from playing a checkerslike game with his owl companion. His father is throwing a banquet, and Julius must attend for the first time. Rhythmic, rhyming text first describes preparatory traditions, from changing into a more elaborate toga to washing his hands and feet. Children will be more fascinated, however, by the increasingly elaborate, colorfully illustrated dishes served to the finicky Julius. After the boy turns down oysters, peacock, flamingo, stuffed sow’s udders, and boiled camel’s feet, the narrator offers “a plate of sea scorpions— / a sweet custard with fish— / pig lungs stuffed with fresh figs— / veggies and brains in one dish!” The humorous buildup concludes with a relatable scene: The little Caesar may be excused once he finishes his enormous pile of peas. The illustrations maintain a kid’s perspective, with only other children’s faces visible and adult faces cut out of scenes. Julius is tan-skinned; the other children are tan- or brown-skinned. Facts about Julius Caesar and Roman eating customs wrap up the story. (This book was reviewed digitally.)
An entertaining, giggleworthy blend of gastronomic history and fiction. (Picture book. 4-8)Pub Date: Aug. 16, 2022
ISBN: 978-1-951836-48-1
Page Count: 32
Publisher: Cameron Kids
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
A stunning, honest, yet age-appropriate depiction of historical injustice.
Giddens’ song commemorating the 155th anniversary of Juneteenth is adapted into a picture book centering history and resilience.
Written in second person, the story begins “You brought me here / to build your house” and depicts a Black family joining enslaved Black laborers in a field, transported and supervised by a White person. The family helps the others lay bricks and pick cotton until they are sent away, with the White person gesturing for them to leave (“you told me… // GO”). Against a backdrop of green fields and blue mountains, the family finds “a place / To build my house,” enjoying freedom, until “you said I couldn’t / Build a house / And so you burnt it…// DOWN.” Beside the ashes, the family writes a song; images depict instruments and musical notes being pulled from the family; and another illustration shows White people dancing and playing. The family travels “far and wide” and finds a new place where they can write a song and “put my story down.” Instruments in hand, the family establishes itself once again in the land. This deeply moving portrait of the push and pull of history is made concrete through Mikai’s art, which features bright green landscapes, expressive faces, and ultimately hopeful compositions. Giddens’ powerful, spare poetry, spanning centuries of American history, is breathtaking. Readers who discover her music through this book and the online recording (included as a QR code) will be forever glad they picked up this book. (This book was reviewed digitally.)
A stunning, honest, yet age-appropriate depiction of historical injustice. (afterword) (Picture book. 4-8)Pub Date: Oct. 11, 2022
ISBN: 978-1-5362-2252-4
Page Count: 40
Publisher: Candlewick
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
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