by Shirin Yim Bridges ; illustrated by Fiona Lee ‧ RELEASE DATE: Aug. 16, 2022
An entertaining, giggleworthy blend of gastronomic history and fiction.
Young Julius Caesar doesn’t want to eat his veggies.
A young Julius Caesar, squat, with a simple, round face, clad in a white toga and sporting a laurel, is interrupted from playing a checkerslike game with his owl companion. His father is throwing a banquet, and Julius must attend for the first time. Rhythmic, rhyming text first describes preparatory traditions, from changing into a more elaborate toga to washing his hands and feet. Children will be more fascinated, however, by the increasingly elaborate, colorfully illustrated dishes served to the finicky Julius. After the boy turns down oysters, peacock, flamingo, stuffed sow’s udders, and boiled camel’s feet, the narrator offers “a plate of sea scorpions— / a sweet custard with fish— / pig lungs stuffed with fresh figs— / veggies and brains in one dish!” The humorous buildup concludes with a relatable scene: The little Caesar may be excused once he finishes his enormous pile of peas. The illustrations maintain a kid’s perspective, with only other children’s faces visible and adult faces cut out of scenes. Julius is tan-skinned; the other children are tan- or brown-skinned. Facts about Julius Caesar and Roman eating customs wrap up the story. (This book was reviewed digitally.)
An entertaining, giggleworthy blend of gastronomic history and fiction. (Picture book. 4-8)Pub Date: Aug. 16, 2022
ISBN: 978-1-951836-48-1
Page Count: 32
Publisher: Cameron Kids
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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by Gigi Priebe ; illustrated by Daniel Duncan ‧ RELEASE DATE: Jan. 3, 2017
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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by Gretchen Woelfle ; illustrated by Alix Delinois ‧ RELEASE DATE: Feb. 1, 2014
A life devoted to freedom and dignity, worthy of praise and remembrance.
With the words of Massachusetts colonial rebels ringing in her ears, a slave determines to win her freedom.
In 1780, Mumbet heard the words of the new Massachusetts constitution, including its declaration of freedom and equality. With the help of a young lawyer, she went to court and the following year, won her freedom, becoming Elizabeth Freeman. Slavery was declared illegal and subsequently outlawed in the state. Woelfle writes with fervor as she describes Mumbet’s life in the household of John Ashley, a rich landowner and businessman who hosted protest meetings against British taxation. His wife was abrasive and abusive, striking out with a coal shovel at a young girl, possibly Mumbet’s daughter. Mumbet deflected the blow and regarded the wound as “her badge of bravery.” Ironically, the lawyer who took her case, Theodore Sedgwick, had attended John Ashley’s meetings. Delinois’ full-bleed paintings are heroic in scale, richly textured and vibrant. Typography becomes part of the page design as the font increases when the text mentions freedom. Another slave in the Ashley household was named in the court case, but Woelfle, keeping her young audience in mind, keeps it simple, wisely focusing on Mumbet.
A life devoted to freedom and dignity, worthy of praise and remembrance. (author’s note, selected bibliography, further reading) (Picture book/biography. 5-8)Pub Date: Feb. 1, 2014
ISBN: 978-0-7613-6589-1
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Oct. 8, 2013
Kirkus Reviews Issue: Nov. 1, 2013
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