by Shirin Yim Bridges & illustrated by Sophie Blackall ‧ RELEASE DATE: Sept. 1, 2002
In her debut effort, Bridges tells the story of her grandmother’s unique place in Chinese history. Even in a wealthy household, being a young girl in China meant that education was something of a dream, but luckily Ruby’s grandfather had a special place in his heart for his hard-working and talented granddaughter. Making his fortune in the California Gold Rush, one man returned to China to start a household full of wives and children and soon grandchildren. Even when the people in the household numbered over 100, it was easy to spot little Ruby in the group. Red was her favorite color and even when she was instructed to wear more traditionally colored clothing, Ruby insisted in twisting red ribbons into her dark hair. An enlightened man, the grandfather offered education to both boys and girls of the household and Ruby thrived. However, a poem that she wrote convinced her grandfather that perhaps he was not being completely equitable with his progeny. On what she believed to be her last New Year’s Day as an unmarried woman, her grandfather presented her with a letter saying that she had received admission as one of the first women at a university. Softly colored, Asian-inspired gouache illustrations accompany this tale of one little girl’s dream to become more than was traditionally possible. (Picture book. 4-8)
Pub Date: Sept. 1, 2002
ISBN: 0-8118-3490-5
Page Count: 32
Publisher: Chronicle Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
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by Shirin Yim Bridges ; illustrated by Luciano Lozano
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by Marie Bradby & illustrated by Chris K. Soentpiet ‧ RELEASE DATE: Sept. 1, 1995
An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)
Pub Date: Sept. 1, 1995
ISBN: 0-531-09464-2
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1995
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by Marie Bradby & illustrated by Ted Rand
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by Patricia Polacco & illustrated by Patricia Polacco ‧ RELEASE DATE: Sept. 15, 1994
A white youth from Ohio, Sheldon Russell Curtis (Say), and a black youth from Georgia, Pinkus Aylee (Pink), meet as young soldiers with the Union army. Pink finds Say wounded in the leg after a battle and brings him home with him. Pink's mother, Moe Moe Bay, cares for the boys while Say recuperates, feeding and comforting them and banishing the war for a time. Whereas Pink is eager to go back and fight against "the sickness" that is slavery, Say is afraid to return to his unit. But when he sees Moe Moe Bay die at the hands of marauders, he understands the need to return. Pink and Say are captured by Confederate soldiers and brought to the notorious Andersonville prison camp. Say is released months later, ill and undernourished, but Pink is never released, and Polacco reports that he was hanged that very first day because he was black. Polacco (Babushka Baba Yaga, 1993, etc; My Rotten Redheaded Older Brother, above) tells this story, which was passed down for generations in her family (Say was her great-great-grandfather), carefully and without melodrama so that it speaks for itself. The stunning illustrations — reminiscent of the German expressionist Egon Shiele in their use of color and form — are completely heartbreaking. A spectacular achievement. (Nonfiction/Picture book. 4- 8)
Pub Date: Sept. 15, 1994
ISBN: 0-399-22671-0
Page Count: 48
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1994
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