A rich, urbane, insightful collection.
Masterful essays from an award-winning fiction writer.
Assessing the novels of Barbara Pym, Hazzard (The Great Fire, 2003, etc.) writes, “her candid, penetrating humanity can be disconcerting, like a quiet, strong, perceiving presence in a busy room.” Much the same can be said of Hazzard’s exquisitely crafted essays, which radiate with shrewd wisdom and intelligence. Of the pieces collected here, only three, lectures she delivered in Princeton’s Gauss Seminar series, have not been previously published in periodicals or as contributions to books. Editor Olubas (English/Univ. of New South Wales; Shirley Hazzard: Literary Expatriate and Cosmopolitan Humanist, 2012, etc.) notes that Hazzard sees nonfiction as “something of a distraction…from her primary labor.” But the same qualities acclaimed in her fiction are evident here: acute attention to language and a passionate commitment to fostering “the private bond, the immortal intimacy” between reader and writer. Among many fine pieces are an elegy to her mentor William Maxwell, who first published her stories in the New Yorker and became a cherished friend; her praise of Nobel Prize–winning author Patrick White for work that celebrates “the bloom of a bound humanity”; and five uncompromising critiques of the United Nations, where Hazzard worked in the 1950s. Characterizing the U.N. as a useless body of frightened men, she calls for reforming the “corrupt political basis” endemic in the organization, singling out former Secretary-General Kurt Waldheim for his disastrous record on human rights. One autobiographical essay stands out for its gentle, telling revelations of the author at 16—naïve and craving adventure—living with her parents in Hong Kong, where her need for “an occupation” was fulfilled by a mundane job in a government office. Sent on an assignment to Canton, she recalls the alien “contours of Eastern lands, those landscapes that have never heard of Romanticism or Impressionism.”
A rich, urbane, insightful collection.Pub Date: Jan. 5, 2016
ISBN: 978-0-231-17326-1
Page Count: 240
Publisher: Columbia Univ.
Review Posted Online: Sept. 14, 2015
Kirkus Reviews Issue: Oct. 1, 2015
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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