A storybook with echoes of Frances Hodgson Burnett—absentee parents, a lonely girl, an orphan who blossoms while working in a garden, children who meet clandestinely, away from the governess's eyes—from Hughes, who illustrated an edition of The Secret Garden: all the elements of an old-fashioned read, but precious and out-of-date. This lengthy fantasy is set in Italy in the early part of this century, where Valerie is guarded by her governess. Her father tends the hotels and restaurants he owns; her mother lives for parties. After Valerie communes with a statue of a boy on a dolphin, the boy comes to life, taking the name Cherubino and revealing himself to be the son of a sea god. Disgusted by the conditions of the seaside, Cherubino leaves to take his place as a god of the sea, but he and Valerie are certain they will meet again. Hughes's illustrations of Italian architecture and landscapes are delightful, but children may not be engrossed by the travelogue-style descriptions: ``a great, white palace set among palm trees and lush foliage, its domes and pinnacles melting into the blue haze.'' An obvious labor of love, the story has so many disparate components—Valerie's solitude, Cherubino as a stranger to be shunned, an ecological message about the cluttered seaside, romance, enchantment—that readers can't settle into it, or even believe in the connection between the two children. (Fiction. 5-8)
Pub Date: April 1, 1997
ISBN: 0-688-14597-3
Page Count: 64
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A jam-packed opener sure to satisfy lovers of the princess genre.
Ice princess Lina must navigate family and school in this early chapter read.
The family picnic is today. This is not a typical gathering, since Lina’s maternal relatives are a royal family of Windtamers who have power over the weather and live in castles floating on clouds. Lina herself is mixed race, with black hair and a tan complexion like her Asian-presenting mother’s; her Groundling father appears to be a white human. While making a grand entrance at the castle of her grandfather, the North Wind, she fails to successfully ride a gust of wind and crashes in front of her entire family. This prompts her stern grandfather to ask that Lina move in with him so he can teach her to control her powers. Desperate to avoid this, Lina and her friend Claudia, who is black, get Lina accepted at the Hilltop Science and Arts Academy. Lina’s parents allow her to go as long as she does lessons with grandpa on Saturdays. However, fitting in at a Groundling school is rough, especially when your powers start freak winter storms! With the story unfurling in diary format, bright-pink–highlighted grayscale illustrations help move the plot along. There are slight gaps in the storytelling and the pacing is occasionally uneven, but Lina is full of spunk and promotes self-acceptance.
A jam-packed opener sure to satisfy lovers of the princess genre. (Fantasy. 5-8)Pub Date: June 25, 2019
ISBN: 978-1-338-35393-8
Page Count: 128
Publisher: Scholastic
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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