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RUBY IN THE RUINS

A sweet celebration of familial love.

Young Ruby and her mother have survived the London Blitz together; now Ruby must adjust to the return of her father.

The first double-page spread situates readers emphatically: “1945 WORLD WAR II WAS OVER!” The text goes on to explain that men are now cleaning up rubble from bombed houses near Ruby and her mum’s home. The duo is seen walking along in front of tall, chain-link fencing, behind which are ruined buildings and busy men in construction garb. The text skillfully incorporates concepts such as “Blitz,” “air-raid shelter,” and “extended leave” into Ruby’s personal story. Young readers will easily empathize with both Ruby’s shyness when her long-absent father returns and her understated resentment of her father’s sudden, large presence in the home that had been only hers and her mum’s for so long. Ruby’s understanding mum allows her to explore outside with neighbor friends. An age-appropriate crisis ensues, creating a heartwarming ending to a sweet tale. Ruby, her family, and other primary characters are white, while large spreads include some people of color. The clothes and environmental details in the illustrations perfectly complement the text, as do the loose character drawings in the artist’s signature style, with the judicious addition of bright colors that pop against the postwar gray and sepia. Endpapers with apparently authentic wartime ads are a nice finishing touch.

A sweet celebration of familial love. (Picture book. 4-8)

Pub Date: May 8, 2018

ISBN: 978-0-7636-9237-7

Page Count: 32

Publisher: Candlewick

Review Posted Online: March 17, 2018

Kirkus Reviews Issue: April 1, 2018

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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