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THE BAND OVER THE HILL

Name: THE BAND OVER THE HILL
Author: Shirley Isherwood
ISBN: 0-09-176753-9

by Shirley Isherwood & illustrated by Reg Cartwright ‧ RELEASE DATE: Nov. 1, 1997

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Mr. Manders and Edward James, a pair of bears who are father and son, have always wanted to be in a marching band. When they hear one coming down the lane, they run up to the attic and don a couple of splendid band uniforms that are conveniently stored there. Grabbing a bass drum and a toy trumpet they hurry off to join the band. Their difficulties in catching up to the band are punctuated by Edward James's pleas for his father to help him align the buttons and buttonholes on his small uniform so that they will be (as is required by a marching band) ``exactly right.'' Mr. Manders is too excited to pay any attention, but when the pair doze off under a tree during a rainstorm, mice get Edward James straightened out; later, Mr. Manders and Edward James triumphantly lead the parade. Cartwright brings resplendence to the page, trotting out bright red uniforms trimmed in gold braid; preschoolers will easily spot the source of Edward James's dismay. Isherwood's very forced, prolonged plot has an arbitrary feel, and while the child's preoccupation with his buttons is realistic, the father's single-minded pursuit, at his son's expense, appears unreasonable, and very nearly mean. (Picture book. 4-8)

Pub Date: Nov. 1, 1997

ISBN: 0-09-176753-9

Page Count: 28

Publisher: Hutchinson/Trafalgar

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1997

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
SOMETHING FOR JAMES
by Shirley Isherwood & illustrated by Neil Reed

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A DOG NAMED SAM

by Janice Boland & illustrated by G. Brian Karas ‧ RELEASE DATE: April 1, 1996

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A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)

Pub Date: April 1, 1996

ISBN: 0-8037-1530-7

Page Count: 40

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1996

Categories:

CHILDREN'S GENERAL CHILDREN'S

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HOME

by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015

Visually accomplished but marred by stereotypical cultural depictions.

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Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)