There’s an old-fashioned feel to Jackson’s language and setups, but her stories never fail to deliver. For fans of...
Unpublished and uncollected work by the celebrated author of The Haunting of Hill House (1959) and other neo-Gothic chillers.
It’s fitting that this gathering by Jackson, who died half a century ago, should open with a perfectly crafted little story called “Paranoia.” Unfolding with the to-the-second pacing of a Twilight Zone episode, it finds a seemingly blameless fellow being pursued on a crosstown bus, into shops, and down city streets by an affectless fellow in a “light hat.” He’d like to tell the cops—but what is there to tell, apart from the fact that someone seems to be tailing him? Good thing his wife is waiting for him at home, but….Best known for her short story “The Lottery,” Jackson had a knack for finding the sinister in the ordinary; when presented with creepier props, she could really go to town, as when, in an early story, a young child threatens to steal away a doll belonging to a mild-mannered spinster of a schoolteacher, “a limp thing, with a gourd for a head and a scrap of red silk for a dress.” If you ever needed an explanation for why poltergeists always find their ways into homes with children, there it is. Even the pieces classified as domestic humor have an arch edge, as with one story that finds a mother wondering who left a hose out to freeze: “Not that the question is of the slightest importance, anyway. What’s important is to get it thawed out and put away. Let the dead past bury its dead, I firmly believe.” That’s a lot of portent for a stretch of rubber—and when Jackson gets to the frying pan and the scissors, things get dicier still. The volume closes with Jackson’s reflections on her work, in which she recounts dreams of closed gates and secretive conversations, nicely bracketing that paranoiac exercise that begins the book.
There’s an old-fashioned feel to Jackson’s language and setups, but her stories never fail to deliver. For fans of midcentury suspense, it doesn’t get much better than this.Pub Date: July 28, 2015
ISBN: 978-0-8129-9766-8
Page Count: 432
Publisher: Random House
Review Posted Online: April 27, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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