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THE KITCHEN TALKS

The inanimate denizens of the kitchen nab the limelight in this somewhat uneven, amusingly illustrated collection of 20 short poems. Much of the verse employs personification—the refrigerator, pot holder and rolling pin drolly narrate their own poems. In others, the narrative voice becomes oddly anonymous, as in the two-line poem “Freezer”: “Cold as ice / But no goose bumps.” Tired initial simile aside, the question of goose bumps seems an odd introduction in a collection focused on objects. Mathers’s light touch redeems this same double spread with a funny, sneak-peek interior: A fish juggles lima beans atop a carton of strawberry ice cream, near a box of “Hungry Dude” pizza. Some poems stand out for their playful metaphors and puns: “Toaster” is “Jack-in-the-box / For bread”; “Paper Towels” enjoins “ . . . Don’t stop me now—I’m on a roll.” Mozelle brings the precision demanded by the short form to many, but not all, of these poems. Mathers’s cheerfully quirky watercolors notwithstanding, this collection neither falls flat nor rises above. (Poetry. 4-8)

Pub Date: April 1, 2006

ISBN: 0-8050-7143-1

Page Count: 40

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2006

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ALL THE COLORS OF THE EARTH

This heavily earnest celebration of multi-ethnicity combines full-bleed paintings of smiling children, viewed through a golden haze dancing, playing, planting seedlings, and the like, with a hyperbolic, disconnected text—``Dark as leopard spots, light as sand,/Children buzz with laughter that kisses our land...''— printed in wavy lines. Literal-minded readers may have trouble with the author's premise, that ``Children come in all the colors of the earth and sky and sea'' (green? blue?), and most of the children here, though of diverse and mixed racial ancestry, wear shorts and T-shirts and seem to be about the same age. Hamanaka has chosen a worthy theme, but she develops it without the humor or imagination that animates her Screen of Frogs (1993). (Picture book. 5-7)

Pub Date: Aug. 1, 1994

ISBN: 0-688-11131-9

Page Count: 32

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1994

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TOMORROW IS WAITING

There’s always tomorrow.

A lyrical message of perseverance and optimism.

The text uses direct address, which the title- and final-page illustrations suggest comes from an adult voice, to offer inspiration and encouragement. The opening spreads reads, “Tonight as you sleep, a new day stirs. / Each kiss good night is a wish for tomorrow,” as the accompanying art depicts a child with black hair and light skin asleep in a bed that’s fantastically situated in a stylized landscape of buildings, overpasses, and roadways. The effect is dreamlike, in contrast with the next illustration, of a child of color walking through a field and blowing dandelion fluff at sunrise. Until the last spread, each child depicted in a range of settings is solitary. Some visual metaphors falter in terms of credibility, as in the case of a white-appearing child using a wheelchair in an Antarctic ice cave strewn with obstacles, as the text reads “you’ll explore the world, only feeling lost in your imagination.” Others are oblique in attempted connections between text and art. How does a picture of a pale-skinned, black-haired child on a bridge in the rain evoke “first moments that will dance with you”? But the image of a child with pink skin and brown hair scaling a wall as text reads “there will be injustice that will challenge you, and it will surprise you how brave you can be” is clearer.

There’s always tomorrow. (Picture book. 4-7)

Pub Date: Jan. 8, 2019

ISBN: 978-1-101-99437-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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