Delacroix’s idyll allows young readers to discover new, exciting surprises in the pictures again and again upon second,...
When a family vacation ends, sometimes that’s when imagination begins. How else does one manage the loss of ocean breezes and sand between the toes?
A calm palette of yellows, browns, and grays with touches of blue allows readers to experience the post-holiday disappointment of a young girl and her younger brother in a quiet, gentle way. Rather than offering loud screaming colors and mouths drawn like gaping maws of displeasure, Delacroix shows readers a quieter examination, turning frustration into whimsy. When the girl discovers that she has come home from their summer vacation at the beach with a shoe full of sand, she begins pouring it onto the ground. Her brother asks what she is doing, and she answers: “I have all these grains of sand, and I don’t want to throw them away… I know! Let’s plant them!” The two then embark on an adventure, picturing the harvest of their beach sand as bright yellow beach umbrellas or a field filled with ice cream cones, lemon flavored—if you please. Words are delivered as spare accompaniment to the beautiful, lush, almost tactile artwork. Expressions of sadness soon turn joyous with each imagined scenario. The siblings are both pale-skinned, the girl with a straight, black pageboy and the boy with a blond mop.
Delacroix’s idyll allows young readers to discover new, exciting surprises in the pictures again and again upon second, third, and 33rd readings—as captivating as an ocean breeze and soothing as a hug. (Picture book. 4-7)Pub Date: April 15, 2018
ISBN: 978-1-77147-205-0
Page Count: 32
Publisher: Owlkids Books
Review Posted Online: Jan. 21, 2018
Kirkus Reviews Issue: Feb. 1, 2018
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
