A fine conclusion to an eminently readable classic of modernist historical fiction.
Nobel Prize–winning Norwegian author Undset brings her tetralogy of medieval life to a resounding, memorable, and death-haunted close.
Though she is best known for her 1920 trilogy Kristin Lavransdatter, Undset’s most ambitious work may be her Olav Audunssøn series (1925–27), set in a time when Norway was transforming from a land of Viking war chiefs and blood vendettas to a Christian monarchy based on law. At the opening of this story, a young man named Aslak Gunnarssøn asks Olav, now a wealthy landowner in the fjord country west of Oslo, for sanctuary: Aslak has killed a man and is hiding from the law. The reluctant, morose Olav, still haunted by the long-ago death of his wife, Ingunn Steinfinnsdatter, grants Aslak’s wish, but when Aslak falls in love with his young daughter, Cecilia, Olav sends him away. Cecilia’s smile in Aslak’s presence, which “radiated such sweetness and secret joy that Olav couldn’t recall seeing a fairer sight,” soon fades away into gloom. Just so, Olav’s son, Eirik, whom he’s raised as his own although fathered with Ingunn by another man, loses his beloved to an ugly bout of scrofula and, though once a good candidate for the outlaw life, joins a monastery. Lacking heirs, aging and weakening, Olav marries Cecilia off to a loser named Jørund, which introduces still more misery into their daily lives. Cecilia gets her revenge, though, and so, in his own way, does the would-be saint Eirik. The overall glumness of Undset’s concluding volume is of a piece with the earlier books, and it would do a suite of Bergman films proud; the reader should be prepared to accommodate plenty of Nordic darkness punctuated by the occasional flash of a dagger. As always, Undset’s deep knowledge of Catholic doctrine and Scandinavian history informs her work, which, while cheerless and sometimes rather graphic (“Relief set in as soon as he stopped vomiting blood”), is both elegantly written and well translated.
A fine conclusion to an eminently readable classic of modernist historical fiction.Pub Date: Oct. 24, 2023
ISBN: 9781517915414
Page Count: 352
Publisher: Univ. of Minnesota
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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