Next book

OLAV AUDUNSSØN

IV. WINTER

A fine conclusion to an eminently readable classic of modernist historical fiction.

Nobel Prize–winning Norwegian author Undset brings her tetralogy of medieval life to a resounding, memorable, and death-haunted close.

Though she is best known for her 1920 trilogy Kristin Lavransdatter, Undset’s most ambitious work may be her Olav Audunssøn series (1925–27), set in a time when Norway was transforming from a land of Viking war chiefs and blood vendettas to a Christian monarchy based on law. At the opening of this story, a young man named Aslak Gunnarssøn asks Olav, now a wealthy landowner in the fjord country west of Oslo, for sanctuary: Aslak has killed a man and is hiding from the law. The reluctant, morose Olav, still haunted by the long-ago death of his wife, Ingunn Steinfinnsdatter, grants Aslak’s wish, but when Aslak falls in love with his young daughter, Cecilia, Olav sends him away. Cecilia’s smile in Aslak’s presence, which “radiated such sweetness and secret joy that Olav couldn’t recall seeing a fairer sight,” soon fades away into gloom. Just so, Olav’s son, Eirik, whom he’s raised as his own although fathered with Ingunn by another man, loses his beloved to an ugly bout of scrofula and, though once a good candidate for the outlaw life, joins a monastery. Lacking heirs, aging and weakening, Olav marries Cecilia off to a loser named Jørund, which introduces still more misery into their daily lives. Cecilia gets her revenge, though, and so, in his own way, does the would-be saint Eirik. The overall glumness of Undset’s concluding volume is of a piece with the earlier books, and it would do a suite of Bergman films proud; the reader should be prepared to accommodate plenty of Nordic darkness punctuated by the occasional flash of a dagger. As always, Undset’s deep knowledge of Catholic doctrine and Scandinavian history informs her work, which, while cheerless and sometimes rather graphic (“Relief set in as soon as he stopped vomiting blood”), is both elegantly written and well translated.

A fine conclusion to an eminently readable classic of modernist historical fiction.

Pub Date: Oct. 24, 2023

ISBN: 9781517915414

Page Count: 352

Publisher: Univ. of Minnesota

Review Posted Online: July 26, 2023

Kirkus Reviews Issue: Aug. 15, 2023

Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Awards & Accolades

Likes

  • Readers Vote
  • 301


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Awards & Accolades

Likes

  • Readers Vote
  • 301


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

Close Quickview