A worthy successor to Mario Mariotti and Roberto Marchriori’s Hanimals (1988), with a low-key message about the importance...
A gallery of animal portraits guaranteed to cause double takes, as they are all made up of painted human hands.
Incorporating nails, knuckles, and skin textures as well as paint, Daniele crafts animal heads of startling realism, from an alpaca and a polar bear that really look furry to a chameleon on which every tiny scale shimmers with nuanced colors. Some, such as the toucan and flamingo, are composed of single hands, but most use more, topping out at the six that are intricately folded together to create a mandarin duck. Several photos are digitally assembled (in more ways than one, in the case of the giant panda, which crouches in a thicket of fingers painted like bamboo), but the artist claims that none of the original paintings are retouched. Opposite each of the 16 close-ups, general descriptions of the animal and, often, its offspring are paired to an actual nature photo that shows off the artist’s attention to detail and color. Lopez adds further facts about the animals at the end, noting that nine are rated “vulnerable” or “endangered.” Daniele concludes with a punchline (“we must give animals a hand if they are to survive”) and a description of his working methods.
A worthy successor to Mario Mariotti and Roberto Marchriori’s Hanimals (1988), with a low-key message about the importance of animal conservation carried in a handful of nature notes. (Informational picture book. 5-9)Pub Date: April 30, 2019
ISBN: 978-1-62779-891-4
Page Count: 42
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: March 2, 2019
Kirkus Reviews Issue: March 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Another playful imagination-stretcher.
Markle invites children to picture themselves living in the homes of 11 wild animals.
As in previous entries in the series, McWilliam’s illustrations of a diverse cast of young people fancifully imitating wild creatures are paired with close-up photos of each animal in a like natural setting. The left side of one spread includes a photo of a black bear nestling in a cozy winter den, while the right side features an image of a human one cuddled up with a bear. On another spread, opposite a photo of honeybees tending to newly hatched offspring, a human “larva” lounges at ease in a honeycomb cell, game controller in hand, as insect attendants dish up goodies. A child with an eye patch reclines on an orb weaver spider’s web, while another wearing a head scarf constructs a castle in a subterranean chamber with help from mound-building termites. Markle adds simple remarks about each type of den, nest, or burrow and basic facts about its typical residents, then closes with a reassuring reminder to readers that they don’t have to live as animals do, because they will “always live where people live.” A select gallery of traditional homes, from igloo and yurt to mudhif, follows a final view of the young cast waving from a variety of differently styled windows.
Another playful imagination-stretcher. (Informational picture book. 6-8)Pub Date: May 7, 2024
ISBN: 9781339049052
Page Count: 32
Publisher: Scholastic
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An arguable error of omission and definite errors of commission sink this otherwise attractive effort.
A look at the unique ways that 11 globe-spanning animal species construct their homes.
Each creature garners two double-page spreads, which Cherrix enlivens with compelling and at-times jaw-dropping facts. The trapdoor spider constructs a hidden burrow door from spider silk. Sticky threads, fanning from the entrance, vibrate “like a silent doorbell” when walked upon by unwitting insect prey. Prairie dogs expertly dig communal burrows with designated chambers for “sleeping, eating, and pooping.” The largest recorded “town” occupied “25,000 miles and housed as many as 400 million prairie dogs!” Female ants are “industrious insects” who can remove more than a ton of dirt from their colony in a year. Cathedral termites use dirt and saliva to construct solar-cooled towers 30 feet high. Sasaki’s lively pictures borrow stylistically from the animal compendiums of mid-20th-century children’s lit; endpapers and display type elegantly suggest the blues of cyanotypes and architectural blueprints. Jarringly, the lead spread cheerfully extols the prowess of the corals of the Great Barrier Reef, “the world’s largest living structure,” while ignoring its accelerating, human-abetted destruction. Calamitously, the honeybee hive is incorrectly depicted as a paper-wasps’ nest, and the text falsely states that chewed beeswax “hardens into glue to shape the hive.” (This book was reviewed digitally.)
An arguable error of omission and definite errors of commission sink this otherwise attractive effort. (selected sources) (Informational picture book. 5-8)Pub Date: Sept. 7, 2021
ISBN: 978-1-5344-5625-9
Page Count: 56
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 5, 2021
Kirkus Reviews Issue: Aug. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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