A worthy picture-book primer on the Queen of Tejano music
Nearly 25 years after her death, the musical origin and cultural impact of Mexican American performer Selena Quintanilla are celebrated.
The story of Selena, as the singer and songwriter is still known, has been told before but not for so young an audience. López splits the difference between a fawning tribute and a straightforward recounting of accomplishments by working hard to paint the picture of the artist’s childhood and what led to her musical achievements. Amid Escobar’s exceptionally detailed illustrative work, it’s made clear how both the Quintanilla family’s immersion in music and Selena’s enduring work ethic led to her band’s success. There’s a lot of text in the book, but it’s smartly framed within two-page spreads, and very little of it feels extraneous. Fans new to Selena’s work may be surprised to learn that she was not a native speaker when she began performing in Spanish and that early in her career, sexism within the Tejano tradition was an issue. The artwork captures clothing and home furnishings of the time, such as Selena’s cassette tapes, her father’s guayabera shirts, and the singer’s iconic stage costumes. Not surprisingly, there’s not much dwelling on the circumstances of the singer’s murder other than an explainer page and a mention in a timeline in the backmatter, which also offers other cultural context. The simultaneously publishing Spanish edition is a solid and careful translation preserving information, context, and nuance. (This book was originally reviewed under the title Selena.)
A worthy picture-book primer on the Queen of Tejano music (Picture book/biography. 6-9)Pub Date: Aug. 25, 2020
ISBN: 978-1-4998-0977-0
Page Count: 48
Publisher: Little Bee Books
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
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