SILVER NITRATE

Embattled players in Mexico City’s horror film industry get more than they bargained for.

Mexican Canadian author Moreno-Garcia cracks open the ragtag underworld of early 1990s Mexican B-movies, a perfect backdrop for the intertwined plights of two childhood friends obsessed with horror. Montserrat Curiel (“a tiny, ferocious elf”) works as a part-time audio engineer, patching together a life behind the scenes as she struggles to support her ailing sister. Tristán Abascal, an aging actor, can't catch a break following a car wreck that claimed the life of his then-girlfriend, the daughter of a powerful film industry executive. Fortune takes a wild turn for the pair when they discover a legendary filmmaker living in Tristán’s building. Abel Urueta, a director during the golden age of 1950s cinema, has become convinced an unfinished film is cursed. He enlists Montserrat and Tristán to help reverse the curse, and the plan yields decidedly supernatural, if terribly unintended, results. Moreno-Garcia’s quick pacing and thoroughly developed characters are aided by the author’s seamless blending of invented filmographies with references to actually existing niche titles (Jacques Tourneur’s Cat People, anyone?) and era-appropriate moviemaking techniques (“the Dunning method,” “foley art”). Details regarding the dark arts and occultism are equally immersive. Facts about the Rite of Saturn, a play organized by Aleister Crowley in 1910, bolster the fictional claim that Crowley filmed the performance using “silver nitrate stock because silver is a powerful conduit for spells.” Moreno-Garcia’s clever blurring of these lines makes for fantastic reading.

An engaging, inventive story of moviemaking and the occult for film geeks and genre buffs.