An ultimately hopeful portrayal of dance, coming of age, and being true to yourself.
Students at an elite dance school in Bucharest confront their identities and futures.
Ana Florean and Carina Scarlat have been secretly dating for three years. In Romania, being out can have dangerous consequences, and Carina doesn’t want to jeopardize her promising ballet career. Ana understands—mostly—and resigns herself to supporting Carina, stepping in as her practice partner in empty studios. But with Carina busy rehearsing, Ana finds herself wondering whether she even likes dancing anymore. She starts spending more time with her new roommate, Sara Dumitrescu, who’s also in the contemporary dance program. As the two become friends, Ana finds someone she can trust with her ambivalent feelings about Carina, and Sara, who thinks she might be gay, too, finds someone who’s willing to visit queer spaces with her. As the girls move through the dynamically illustrated panels, they explore their sexuality and what they want from dance. Most of the work features bold, fluid, black linework against a soft pink background, but many dance sequences include bright bursts of color. While the portrayal of the world of pre-professional ballet is sobering, reflecting the struggles of many dancers who present as queer or have bigger bodies, it also shows glimmers of a better future as the girls rediscover the joy of dancing and explore how gender norms can be bent or broken.
An ultimately hopeful portrayal of dance, coming of age, and being true to yourself. (Graphic fiction. 14-18)Pub Date: Nov. 12, 2024
ISBN: 9781250838292
Page Count: 304
Publisher: Roaring Brook Press
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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