A try for “sweet and refreshing” that lands squarely in “thoughtless and stale.” (Picture book. 3-7)
Two strangers meet and bond over shared struggles with disability and a fondness for straws in Boulerice and Côté-Lacroix’s debut collaboration.
Florence loves to swim and gets rewarded with a tasty drink and swirly straw whenever she swims the fastest. Leon tries hard on his soccer team and comforts himself with juice and a giant straw whenever he loses. Some years later, as adults, Florence, a swim teacher with obstructed breathing, and Leon, an insurance salesman with tunnel vision who uses a white cane, meet by chance and get to know each other over lunch and drinks with straws. This relatively unfettered narrative is rendered stiff by missteps, possibly due to translation. Simple sentences feel stilted, as if they’ve been translated word for word rather than for ideas and meaning. Even good translation, however, cannot save poor craft. Eschewing any semblance of plot in favor of an extended meet-cute, this narrative misses full, nuanced representation of disabled characters by a mile—insinuating, for instance, that disclosure of disability is somehow compulsory between acquaintances. The one saving grace is the illustrations. Light and uncluttered pencil drawings with splashes of cheery red and yellow make excellent use of white space to connect scenes of spot art and, in contrast to the text, visually render elements of each of the white character’s experience with disability with confident accuracy as Florence and Leon explain each of their impairments using straws as a metaphor.
A try for “sweet and refreshing” that lands squarely in “thoughtless and stale.” (Picture book. 3-7)Pub Date: Sept. 4, 2018
ISBN: 978-1-4598-1822-4
Page Count: 32
Publisher: Orca
Review Posted Online: July 23, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
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