A try for “sweet and refreshing” that lands squarely in “thoughtless and stale.” (Picture book. 3-7)
Two strangers meet and bond over shared struggles with disability and a fondness for straws in Boulerice and Côté-Lacroix’s debut collaboration.
Florence loves to swim and gets rewarded with a tasty drink and swirly straw whenever she swims the fastest. Leon tries hard on his soccer team and comforts himself with juice and a giant straw whenever he loses. Some years later, as adults, Florence, a swim teacher with obstructed breathing, and Leon, an insurance salesman with tunnel vision who uses a white cane, meet by chance and get to know each other over lunch and drinks with straws. This relatively unfettered narrative is rendered stiff by missteps, possibly due to translation. Simple sentences feel stilted, as if they’ve been translated word for word rather than for ideas and meaning. Even good translation, however, cannot save poor craft. Eschewing any semblance of plot in favor of an extended meet-cute, this narrative misses full, nuanced representation of disabled characters by a mile—insinuating, for instance, that disclosure of disability is somehow compulsory between acquaintances. The one saving grace is the illustrations. Light and uncluttered pencil drawings with splashes of cheery red and yellow make excellent use of white space to connect scenes of spot art and, in contrast to the text, visually render elements of each of the white character’s experience with disability with confident accuracy as Florence and Leon explain each of their impairments using straws as a metaphor.
A try for “sweet and refreshing” that lands squarely in “thoughtless and stale.” (Picture book. 3-7)Pub Date: Sept. 4, 2018
ISBN: 978-1-4598-1822-4
Page Count: 32
Publisher: Orca
Review Posted Online: July 23, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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