by Simon Boulerice ; illustrated by Marilyn Faucher ; translated by Sophie B. Watson ‧ RELEASE DATE: Sept. 24, 2019
Readers hoping for strong storytelling won’t find it here.
A child coping with divorce finds comfort in an unexpected place.
The opening lines, translated from French, explain in a very unchildlike tone that “Ludo’s parents didn’t love each other anymore. There was nothing to be done—love is like a flame, and their love had been extinguished.” After this early mention of Ludo’s mother, she never appears again, and instead the story takes place when Ludo stays with his city-dwelling father. Ludo doesn’t like being there and spends his days indoors, but when he looks outside he sees a traffic light and is captivated. His father playfully tells him a “very patient little man” lives inside of it and changes the lights. Ludo believes him and worries about the man, so he decides to leave him toast with jam each night. He’s delighted when he finds only crumbs on the plate the next day, and Ludo’s father is, in turn, delighted by his son’s spirited imagination. A series of curious events suggests that Ludo isn’t imagining this exchange at all and that the little man really does live in the traffic light. Unfortunately, the wordy story’s logic has many holes, and they aren’t filled by the illustrations, resulting in a less-than-satisfying picture book. In Faucher’s bright, naïve illustrations, the cast is an all-white one.
Readers hoping for strong storytelling won’t find it here. (Picture book. 4-8)Pub Date: Sept. 24, 2019
ISBN: 978-1-4598-2189-7
Page Count: 32
Publisher: Orca
Review Posted Online: May 21, 2019
Kirkus Reviews Issue: June 15, 2019
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by Simon Boulerice ; illustrated by Delphie Coté-Lacroix ; translated by Sophie B. Watson
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Marilyn Sadler ; illustrated by Stephanie Laberis
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
BOOK REVIEW
by Marilyn Sadler ; illustrated by Ard Hoyt
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