A captivating account of three revolutionaries and the intrepid journalists who brought their stories to the world.
Present at the revolutions.
Hall, professor of modern history at the University of Leeds, England, divides his history into six “epic journeys”: Lenin’s 2,000 miles to Petrograd from exile in Switzerland, Mao’s 6,000-mile “Long March” across China in 1934-35, Fidel Castro’s 1956 return to Cuba from Mexico, and three American journalists’ travels to track them down. Socialist activist John Reed (1887-1920) arrived in Russia in August 1917. He had little sympathy with the March revolution that overthrew the czar because its leaders were conventional liberals, but Bolshevik rhetoric thrilled him. Witnessing the October revolution, he not only admired Lenin but participated in his government. His 1919 account, Ten Days That Shook the World, received a great deal of attention despite its politics and remains a journalistic classic. With the Chinese civil war raging and a rebel army newly established in the distant northwest, journalist Edgar Snow (1905-1972) wangled permission to enter the area. Aware that Snow was an establishment figure, Mao and his cadre welcomed him with open arms; his flattering portrayal, Red Star Over China, released in 1937, was a worldwide bestseller and revelation at a time when almost no one knew anything about its subject. Herbert Matthews (1900-1977) was a middle-aged New York Times editor in 1957 when Castro, an obscure figure leading a purported rebellion against Cuba’s dictator, let it be known that he would welcome an interview. In an odd parallel with Snow’s experience, Matthews was conducted into a wilderness, and his articles launched the popular image of Fidel as a romantic revolutionary committed to bringing justice to his people. The reporters’ reputations suffered after their subjects took power—rebellions against unpopular governments usually get good press until they succeed.
A captivating account of three revolutionaries and the intrepid journalists who brought their stories to the world.Pub Date: Sept. 9, 2025
ISBN: 9780571367153
Page Count: 400
Publisher: Faber & Faber
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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