by Simon James Green ‧ RELEASE DATE: June 6, 2023
Ideal for lovers of both juicy reality TV and inspiring LGBTQ+ documentaries.
Friends, enemies, and frenemies see the best and worst sides of each other when the vote for LGBTQ+ Society president is opened up to the whole school.
The club supporting queer students at Barney Brown’s school, Greenacre Academy, means everything to him. Passionate about its mission, the gay, White English teen is confident that he’s exactly the president the club needs—and even more confident that he’s a shoo-in for the role. His two best friends, George Piper and Maya Phillips, a White trans boy and Black lesbian, respectively, are the only other people choosing between Barney and Bronte O’Halloran—his opponent, Maya’s ex-girlfriend, and the sworn enemy of the tightknit trio. But when Bronte convinces their principal to allow all 1,000 members of the student body to vote, a contentious election campaign is set into motion in which both candidates will do whatever it takes to win. Adding to the pressure is the news that Rainbow Youth, a national organization, will be choosing one school’s queer club to represent them as global ambassadors. But even when the results of the vote come in, the drama is just beginning. The characters’ relationships and dialogue are endearing and laugh-out-loud funny. It is hard not to root for these teens as they fail and succeed together. Multiple plot twists and shocking reveals make this book difficult to put down.
Ideal for lovers of both juicy reality TV and inspiring LGBTQ+ documentaries. (author’s note, resources, club minutes) (Fiction. 14-18)Pub Date: June 6, 2023
ISBN: 9781338897463
Page Count: 432
Publisher: Scholastic
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
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edited by Simon James Green ; illustrated by Ruth Burrows
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by Adam Silvera ‧ RELEASE DATE: May 6, 2025
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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