At once stimulating and warmhearted, with sentences of drop-dead beauty and acuity on nearly every page.
Another superb essay collection from novelist Hustvedt (The Summer without Men, 2011, etc.).
As in her previous collections, Yonder (1998) and A Plea for Eros (2006), the author trains a formidable intellect on difficult subjects (the structure of the brain, the nature of perception) with an engaging personal touch that invites a general readership. In “Excursions to the Islands of the Happy Few,” though she acknowledges the need for specialized vocabulary and research, she regrets the “culture of hyperfocus and expertise” in which “people inhabit disciplinary islands of the like-educated and the like-minded.” Hustvedt, by contrast, has a doctorate in English literature, has written extensively about art and has lectured at neuroscience conferences and at the Sigmund Freud Foundation. The categories invoked in her title—personal essays (Living), intellectual puzzles (Thinking), investigations of art (Looking)—indicate her broad scope; their underlying unity rests on Hustvedt’s consuming interest in connections: between emotion and intellect, memory and imagination, mother and child, artist and audience. Embodied, employed both as a verb and adjective, is a favored word, and it’s no accident that she mentions several times a 1996 neuroscience paper that identified certain “mirror neurons” that fire in the cerebral cortex of macaque monkeys performing a specific physical action and that also fire in monkeys observing the action. She is fascinated by the link between what we do and what we see and by the noncorporeal but nonimaginary spaces where human beings interact emotionally and intellectually. Frequent anecdotes about her extended family and her childhood illustrate her points and lower the intimidation factor; Hustvedt addresses a broad public without dumbing down her material. There are no weak essays here, but some of the best concern art, particularly those on Goya and Louise Bourgeois, whose work provides particularly fertile soil for Hustvedt’s exploration of the “electrical connection [that] takes place between the viewer and the image seen.”
At once stimulating and warmhearted, with sentences of drop-dead beauty and acuity on nearly every page.Pub Date: June 5, 2012
ISBN: 978-1-250-00952-4
Page Count: 400
Publisher: Picador
Review Posted Online: Feb. 28, 2012
Kirkus Reviews Issue: March 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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