A funny, caustic tale of a slacker’s dejected resistance to mainstream success.
A feckless young man struggles with precarious jobs and a general failure to connect in this bleakly comic novel of alienation.
McGrouchpants’ narrative follows his antihero Chris Schuyler’s progress through the 1990s as he moves from his home in Rochester, New York, to college as an English major at the University of Chicago and into a series of dead-end jobs that are the tale’s focus. They include a high school summer job as a lawn mower; a five-and-a-half-year accounting stint that Chris loses when the slot is upgraded to require an MBA; a copy-editing position that ends when he takes too many sick days; a desperate, farcical stab at selling vacuum cleaners; and a gig as a fundraising canvasser in Portland, Oregon, after which he slides toward homelessness. Chris’ story is a bildungsroman in reverse about a peculiarly ’90s brand of eternal adolescence. He’s obsessed with indie rock bands, zines, and avant-garde movies—the title refers to Ang Lee’s art house action flick—as part of his rebellion against the “stultifying suburban” lifestyle his domineering father urges on him. Yet Chris’ lot is eternally stultifying work, infrequently relieved by awkward lurches at romance, with the longed for life of urban hipster intellectualism forever just beyond his reach. Chris’ closed-in, second-person ruminations could have been claustrophobic, but McGrouchpants expands them into a keenly subversive portrait of workplace social psychology, unfolding in long convolutions threaded with scabrous attitude. The result feels a bit like The Office might if David Foster Wallace and William S. Burroughs rewrote the scripts: “Tina, who’s training you, hardly notices that you’re five minutes late (you fell asleep for 40 min. in the front seat, drooling on your steering wheel—you got back from your ‘approved’ dentist appointment early, and put that time to good—if hardly anticipated, or, even, hardly avoidable (as soon as you pulled into the place, you beelined to a spot, and fell down like a ton of bricks) use)—and, instead of remarking on your slight tardiness, with a wave of her hand (‘Ahhh!’) and a practiced, commiserative co-worker grin, buckles down to the task of your 3-hr. block of training.”
A funny, caustic tale of a slacker’s dejected resistance to mainstream success.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Self
Review Posted Online: March 5, 2020
Kirkus Reviews Issue: April 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
