A timely patchwork of fictional bits and pieces that lands few punches.
A compact collection offers fictional vignettes.
The subtitle of this work hints at the form of flash fiction, which is characterized by brevity— usually 100 to 200 words grouped around a pithy hook or twist. Regardless of what the “Flesh Friction” mentioned in that subtitle means (it’s never made clear), the book’s contents reflect the elements of flash fiction. This is a compilation of two dozen or so quick dramatic bits, usually well under a page in length, with the whole book being only a few dozen pages long. Two other features found in flash fiction—slangy delivery and a tendency to sprinkle in sexual references—are likewise present in many of these miniature chapters. Readers should expect explicit sexual references and racial epithets. Throughout these stories, the author invokes figures from the current news cycle—Bill Gates, Betsy DeVos, Kanye West, Donald Trump—and employs plenty of attempts at humor in order to make each vignette snappy and readable. Readers are clearly expected to be already familiar with American politics and culture. McGrouchpants admirably tackles a wide range of provocative subjects and offers some amusing tidbits here. But even knowledgeable readers will sometimes be at a loss since the author frequently lapses into incoherent babbling, as in “Why Big Pharma and Sociopathic Sex Advice-Givers are Shoveling Dirt Over Generation X’ers and Wilhelm Reich’s Graves” and other tales. A postscript to “ ‘FAMILY TIES’ and ‘GROWING PAINS’ Re-Runs Are Reality!” tells readers: “P.S. Try The Marx-Engels Reader, The Federalist Papers, Foucault’s Discipline and Punish, The Interpretation of Dreams, and Trotsky’s The Russian Revolution (Abridged)…or, shut up! Shoot pool”—with the whimsicality obviously intended to be offbeat and cynical. Yet the result often reads like a slightly protracted and extremely disjointed series of in-jokes that fall flat, rendered in prose that’s jumpy and sneering rather than sharp and funny. Even flash fiction fans will likely be disappointed.
A timely patchwork of fictional bits and pieces that lands few punches.Pub Date: June 9, 2017
ISBN: N/A
Page Count: 41
Publisher: Self
Review Posted Online: Jan. 5, 2021
Review Program: Kirkus Indie
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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