This ambitious flight to Neverland crashes and burns from the get-go.
The vastly abridged text runs to quick summaries and paraphrased lines like “Take a right after the second star and then go straight until morning!” and accompanies cartoon-style illustrations replete with small figures that fly, gesticulate, pop into view or otherwise move at a touch. Those and a font toggle and vowel highlighter on every page are about the only features that work well, however. The page turns are balky, pausing the audio narration (offered in four languages, plus a self-record option), as are many of the textual features. An "explain to me" tab at the bottom highlights selected words; tapping on them will (sometimes) trigger an automated pronunciation and open explanatory windows that are more or less helpful. Touching "following," for instance, brings up the baffling "going before"; if readers notice that the "opposite" tab at the bottom of that pop up is highlighted, they might deduce that it is an antonym for the word that they wanted explained. Sweeping “fairy dust” across any screen from a pot at the bottom cuts off the narration. In the art, Neverland’s stereotypical Indians are joined on other pages by glimpses of a spear-carrying African and an Arab with a rifle. Sophisticated animations are wasted on an app that is still several major updates short of mediocrity. (iPad storybook app. 5-8)
Pub Date: Nov. 30, 2011
ISBN: N/A
Page Count: -
Publisher: Chocolapps
Review Posted Online: Dec. 12, 2011
Kirkus Reviews Issue: Jan. 1, 2012
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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