An entertaining and romantic story about second chances and moving forward after loss.
A grieving young woman sends texts to her dead fiance’s phone number, not realizing that someone else is receiving the messages.
Clara and her fiance, Ben, had an argument, and later that night, he died in a tragic accident. Two months later, as Clara struggles with her grief, she sends a text to Ben’s phone, knowing he won’t receive it but seeking new ways to cope. Miraculously, sending the text does help a bit, so she sends another the next day, and again the day after that. She never imagines that Ben’s number might have been reassigned to a new customer. Meanwhile, across town, Sven can’t figure out how to respond to the cryptic texts he’s been receiving. After only a few messages, it’s obvious the texts are coming from a grieving woman. Rather than alert the sender she has the wrong number, Sven, who’s dealing with struggles of his own, does nothing. Gradually, he begins to enjoy the texts, even looking forward to them and despairing on days when none arrive. His co-worker Hilke keeps pushing him to uncover the sender’s identity, and before long, Sven is persuaded, using clues from the copious texts to track Clara down. Though he’s already somewhat smitten without even knowing what she looks like, he worries that when they finally meet, she’ll hate him for having read her private messages. Told alternately from Clara's and Sven’s perspectives, the novel has been translated effectively from its original German, the only indication of the book’s origin the names of towns and rivers. Clara and Sven are each well-developed characters with complex interior lives and endearing idiosyncrasies. The story’s supporting characters feel more typecast, but they play their roles sufficiently to move the narrative forward. The story is at its strongest when Clara and Sven are interacting, with the intervening scenes hampering the book’s momentum. Similarly, after its initial setup, the plotline is rather predictable. Even so, the deeply emotional nature of Clara’s texts and Sven’s heartfelt reactions as he reads them are sufficiently absorbing that readers will keep turning pages to see how the characters reach the story’s inevitable conclusion.
An entertaining and romantic story about second chances and moving forward after loss.Pub Date: Feb. 8, 2022
ISBN: 978-0-14-313690-3
Page Count: 256
Publisher: Penguin
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
BOOK TO SCREEN
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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