From a noted Russian ÇmigrÇ musicologist, an affectionate as well as scholarly tribute to St. Petersburg, the Russian city that has nurtured so many great cultural icons of the last two centuriesfrom Pushkin to Brodsky, Tchaikovsky to Shostakovich. Founded in 1703 by Peter the Great, not as the conventional ``window into Europe'' but rather because he ``wanted a clean break with the past,'' the city has endured floods, a terrible siege, three name changes, and political demotion. From its inception, Volkov (Balanchine's Tchaikovsky, not reviewed) contends, it has also been the subject of legends: ``the Petersburg mythos.'' This mythos, which combines the city's miraculous appearance on a deserted northern waterway with predictions of its ``imminent demise,'' has been further encouraged by its artists and poets. It was Pushkin who, in his famous narrative poem The Bronze Horseman: A Petersburg Tale, first suggested the city's potential for good and evil. Though at times this working out of the mythos becomes schematic and overused as Volkov filters through its lens the city's extraordinary history and vignettes of its extraordinarily talented progeny, the legend is a useful device for understanding both the city and Russia. But the political events that have so drastically affected its course are merely background to the glittering artists, writers, filmmakers, poets, composers, dancers, and choreographers who made the city Russia's premier cultural center. Volkov's long and heterogeneous list includes such luminaries as Chagall, Malevich, Nabokov, Dostoevsky, Mussorgsky, and Balanchine; but almost all of them were products of tsarist Russia; for ``despite the widespread misapprehension in the West, the leading Russian modernists were formed ideologically and artistically before the Communist revolution.'' An eloquently poignant reminder of how rich and full of promise both Russia and Akhmatova's ``granite city of glory and misfortune'' were, and a useful cultural compendium. (16 pages b&w photos, not seen)
Pub Date: Nov. 1, 1995
ISBN: 0-02-874052-1
Page Count: 448
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1995
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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