The first in a multicultural #OwnVoices romance series, with an enemies-to-lovers central plot and distinctive supporting...
A workaholic, socially inept Indian-American brain surgeon is caught off guard by her attraction to a Rwandan/Anglo-Indian chef in this rewrite of Pride and Prejudice.
Trisha Raje is a princess whose family prides itself on its aristocratic Indian roots as well as its integration into American life. The Rajes are preparing for their scion’s gubernatorial campaign in the Bay Area when Trisha rejoins them after a period of estrangement (caused by her former college roommate). She and chef Darcy "DJ" Caine meet at a political event and sparks fly, but for all the wrong reasons. While the two try to smooth things over, subsequent encounters exacerbate their hostility and class divide. Yet, as any Austen fan knows, the fallout of their pride and biases will eventually be resolved. Dev (A Distant Heart, 2017, etc.) credibly reworks a beloved novel to include diverse representation, and her use of dual points of view reveals the internal lives of both protagonists. DJ’s love for Indian cooking is also an interesting flip of a more traditional script. But Dev creates equivalents to Regency England partly through a discomfiting choice to valorize Trisha’s royal Indian genes—not only does she descend from ancestors who fought the medieval Islamic Mughal rulers and the British Empire and joined the Indian freedom struggle, her relatives are good royals who practice noblesse oblige (including on visits to Africa) and nurture a household (including a member who is differently abled) and have an upper-class sense of art and music. This complimentary take on the one percent is common in the genre, but what is problematic here is that romanticizing a royal identity normalizes the caste hierarchy still practiced (albeit illegally) in South Asian society, including in the contemporary diaspora. So while this is undoubtedly a charming attempt to weave in Indian history and Maharashtrian culture (and address #MeToo), the novel is limited to a lovely but upper-class Hindu family’s tribulations and triumphs, reiterating a tendency among Indian cultural producers to limit happily-ever-afters to this group.
The first in a multicultural #OwnVoices romance series, with an enemies-to-lovers central plot and distinctive supporting characters whose histories and dramas play out alongside the love story.Pub Date: May 7, 2019
ISBN: 978-0-06-283905-3
Page Count: 512
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 3, 2019
Kirkus Reviews Issue: Feb. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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