Two lifelong friends learn to see each other in a new light when forced to pursue a common goal.
Once betrothed to Yash Raje, heir apparent of the aristocratic Indian American Raje family, and beloved by his sprawling clan, Naina Kohli has become persona non grata since she and Yash split up, acknowledging that the engagement had been a convenient sham. So when she finds out that the benefactor of her microfinance foundation wants her to work with Vansh Raje, Yash’s youngest sibling, Naina is distraught: Not only does this development make it impossible for her to put some much-needed distance between herself and the Rajes, but it also forces her to hitch her wagon to the pampered prince who has, to her knowledge, never demonstrated a capacity for dedication or commitment. In his mid-20s, Vansh is relentlessly charming; coasting along easily on the strength of his looks and wealth, he has traveled the world working on do-gooder projects. He is extremely earnest about his latest and cares enough about Naina to be frustrated that she often underestimates his sincerity. But when circumstances force them to acknowledge each other’s best qualities and become freshly aware of their own flaws, sparks begin to fly. Naina must now decide if she wants a real relationship with a different Raje brother altogether. The fourth and final installment in Dev’s series of Jane Austen adaptations brims with humor, wit, and pathos. Naina, originally christened Knightlina, is modeled on Emma’s steadfast Mr. Knightley, while Vansh shares Emma’s compassion and tendency to make unfortunate errors in judgment. Dev’s attention to detail—from descriptions of Naina’s Bollywood-inspired attire to her mother’s turns of phrase as she negotiates with English—brings every character to life and inspires instant empathy. While descriptions of the Rajes’ family dynamics are consistently entertaining, their eventual change of heart toward Naina feels somewhat abrupt.
The warmth of steady family ties complements the heat of intense sexual chemistry.