A cozy cup of chai for the soul.
An intergenerational tale of self-discovery and the relationships that matter most.
Cullie Desai, a 25-year-old Indian American woman, is endlessly loyal to her mother, Alisha (known as Aly), and her paternal grandmother, Bindu. So when Cullie gets a call that Bindu is in distress, she immediately hops on a plane to Florida from her home in San Francisco and shows up at her grandmother’s new condo at a glitzy retirement center. A loving familial gesture—except that in this case, the older woman’s distress is the result of a really bad date, when the man she's with dies in the middle of their first sexual interlude. This sets the tone for the novel as a whole: It's the story of three women bound by deep love and very few boundaries. While Bindu’s sexual drama does drive a chunk of the plot, the three deal with a whole host of problems, supporting each other with advice, chai, and lavish home-cooked meals. Tech-genius Cullie needs to develop a new state-of-the-art app while opening herself up to the possibility of love. Recent divorcée Aly is trying to prove her worth at work while dealing with a surprise visit from Ashish, her ex-husband (and Bindu’s son). And Bindu is balancing her desire to be liberated in her golden years with traumatic memories that she cannot shut out. Told from the alternating perspectives of Cullie, Aly, and Bindu, the novel often relies on overly coincidental plot points and too-convenient characters. That said, these problems are offset by Dev’s success at portraying the profound bonds of care, humor, and love that run among the three women: “Love so strong it was almost painful tightened around Bindu’s heart for these two. The world would never see them like this, entirely comfortable in their skin. This was a world they had created, the three of them, because of who they were.”
A cozy cup of chai for the soul.Pub Date: Nov. 1, 2022
ISBN: 978-1-6625-0926-1
Page Count: 272
Publisher: Mindy's Book Studio
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.
What would you do if you knew when you were going to die?
In the first page and a half of her latest page-turner, bestselling Australian author Moriarty introduces a large cast of fascinating characters, all seated on a flight to Sydney that’s delayed on the tarmac. There’s the “bespectacled hipster” with his arm in a cast; a very pregnant woman; a young mom with a screaming infant and a sweaty toddler; a bride and groom, still in their wedding clothes; a surly 6-year-old forced to miss a laser-tag party; a darling elderly couple; a chatty tourist pair; several others. No one even notices the woman who will later become a household name as the “Death Lady” until she hops up from her seat and begins to deliver predictions to each of them about the age they’ll be when they die and the cause of their deaths. Age 30, assault, for the hipster. Age 7, drowning, for the baby in arms. Age 43, workplace accident, for a 42-year-old civil engineer. Self-harm, age 28, for the lovely flight attendant, who is that day celebrating her 28th birthday. Over the next 126 chapters (some just a paragraph), you will get to know all these people, and their reactions to the news of their demise, very well. Best of all, you will get to know Cherry Lockwood, the Death Lady, and the life that brought her to this day. Is it true, as she repeatedly intones on the plane, that “fate won’t be fought”? Does this novel support the idea that clairvoyance is real? Does it find a means to logically dismiss the whole thing? Or is it some complex amalgam of these possibilities? Sorry, you won’t find that out here, and in fact not until you’ve turned all 500-plus pages. The story is a brilliant, charming, and invigorating illustration of its closing quote from Elisabeth Kübler-Ross (we’re not going to spill that either).
A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.Pub Date: Sept. 10, 2024
ISBN: 9780593798607
Page Count: 512
Publisher: Crown
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
PERSPECTIVES
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